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A NEW HISTORY OF ITALIAN RENAISSANCE ART

A NEW HISTORY OF ITALIAN RENAISSANCE ART

Stephen Campbell and Michael Cole introduce Italian Renaissance art in this easy-to-follow chronological survey. Drawing on the most recent scholarship, their book makes new approaches accessible to students and non-specialist readers, telling the story of art in the great centres of Rome, Florence and Venice while profiling a range of other cities and sites throughout Italy. The book uses a novel decade-by-decade structure, which allows students to follow the chronology easily, as well as enabling collaborative works to be discussed in their entirety, and ensuring that discussion of minor centres can be brought in as needed.

It presents the classic canon of Renaissance painting and sculpture in full, while expanding the scope of conventional surveys by offering a more thorough coverage of architecture, decorative and domestic arts, and print media. Rather than emphasizing artists biographies, this new account concentrates on the works, discussing means of production, the places for which images were made, the concerns of patrons, and the expectations and responses of the works first viewers. Renaissance art is seen as decidedly new, a moment in the history of art whose concerns persist in the present.

Pris ved 1 675,00 DKK

Emne Italiensk kunst renæssance
Kunstner
Forfatter Stephen J. Campbell & Michael W. Cole
Sprog Engelsk tekst
Illustrationer 817 ill. heraf 703 ill. i farver
Format / Sideantal 28 x 23 cm / 680 sider
Udgivelsesår 2012
Indbinding indbundet
Forlag Thames & Hudson
Antikvarisk
Antal
Køb
ISBN 9780500238868
Lev. 3-5 dage

A NEW HISTORY OF ITALIAN RENAISSANCE ART

Stephen Campbell and Michael Cole introduce Italian Renaissance art in this easy-to-follow chronological survey. Drawing on the most recent scholarship, their book makes new approaches accessible to students and non-specialist readers, telling the story of art in the great centres of Rome, Florence and Venice while profiling a range of other cities and sites throughout Italy. The book uses a novel decade-by-decade structure, which allows students to follow the chronology easily, as well as enabling collaborative works to be discussed in their entirety, and ensuring that discussion of minor centres can be brought in as needed.

It presents the classic canon of Renaissance painting and sculpture in full, while expanding the scope of conventional surveys by offering a more thorough coverage of architecture, decorative and domestic arts, and print media. Rather than emphasizing artists biographies, this new account concentrates on the works, discussing means of production, the places for which images were made, the concerns of patrons, and the expectations and responses of the works first viewers. Renaissance art is seen as decidedly new, a moment in the history of art whose concerns persist in the present.