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CARO. Close up

ANTHONY CARO (1924-)

With a career spanning more than sixty years, Anthony Caro is one of Britain's most acclaimed and best-known sculptors. "Caro: Close Up" accompanies the first survey exhibition of his work in an American museum since his retrospective at the Museum of Modern Art in 1975.

Although celebrated for his large, brightly-painted abstract sculptures, Caro has also produced drawings and small-scale works of a more private nature throughout his career. The full range of his oeuvre includes works on paper, sculptures constructed in paper and cardboard, and abstract works of steel, bronze, and clay. Featuring new photography of more than 60 works drawn almost entirely from Caro's studio and family collections, this publication examines the critical responses that Caro's work has elicited from the 1950s to the present, and considers his role in current artistic practice.

Pris ved	1			450,00 DKK

Emne	Skulptur
Kunstner	CARO, Anthony
Forfatter	Julius Bryant
Sprog	Engelsk
Illustrationer	150 ill. i farver og s/h
Format / Sideantal	28 x 22 cm / 250 sider
Udgivelsesår	2012
Indbinding	indbundet
Forlag	Yale University Press
Antikvarisk

Antal

Køb

ISBN	9780300176032
Lev.	3-5 dage

ANTHONY CARO (1924-)

With a career spanning more than sixty years, Anthony Caro is one of Britain's most acclaimed and best-known sculptors. "Caro: Close Up" accompanies the first survey exhibition of his work in an American museum since his retrospective at the Museum of Modern Art in 1975.

Although celebrated for his large, brightly-painted abstract sculptures, Caro has also produced drawings and small-scale works of a more private nature throughout his career. The full range of his oeuvre includes works on paper, sculptures constructed in paper and cardboard, and abstract works of steel, bronze, and clay. Featuring new photography of more than 60 works drawn almost entirely from Caro's studio and family collections, this publication examines the critical responses that Caro's work has elicited from the 1950s to the present, and considers his role in current artistic practice.