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Fritsch/Koons/Ray - Sculpture After Sculpture

High art removed from its pedestal! Three pioneering artists who redefined sculptural figuration

When, in the eary eighties, minimalist and concep­tual approaches were dominant in art, the consis­tently figural and emphatically sculptural representa­tions of everyday subjects by Katharina Fritsch (* 1960), Jeff Koons (* 1955) und Charles Ray (* 1953) at­tracted a great deal of attention. Their striking stanc­es continue to have an influence on cultural visual memory.Sculpture After Sculpture: Fritsch, Koons, Ray traces the parallel developments in the creative work of the three sculptors. Beginning with key works from the late eighties and early nineties that throw light on their shared interest in the consumer world and the ready-made, the publication delineates their ar­tistic practice up to the present day. A direct compari­son highlights the surprising similarities and marked differences in their oeuvres, and reveals the artists’ compelling reasons for a decidedly contemporary art of sculpture.
Pris ved 1Stk 479,00 DKK

Emne Skulptur
Kunstner Katharina Fritch, Jeff Koons & Charles Ray
Forfatter Jack Bankowsky
Sprog Engelsk
Illustrationer 83 ill.
Format / Sideantal 22.5 x 28.7 cm / 140 s.
Udgivelsesår 2014
Indbinding Hardback
Forlag Moderna Museet / Hatje Cantz
Antikvarisk
Antal
Køb
ISBN 978-3-7757-3885-9
Lev. 3-5 dage
High art removed from its pedestal! Three pioneering artists who redefined sculptural figuration

When, in the eary eighties, minimalist and concep­tual approaches were dominant in art, the consis­tently figural and emphatically sculptural representa­tions of everyday subjects by Katharina Fritsch (* 1960), Jeff Koons (* 1955) und Charles Ray (* 1953) at­tracted a great deal of attention. Their striking stanc­es continue to have an influence on cultural visual memory.Sculpture After Sculpture: Fritsch, Koons, Ray traces the parallel developments in the creative work of the three sculptors. Beginning with key works from the late eighties and early nineties that throw light on their shared interest in the consumer world and the ready-made, the publication delineates their ar­tistic practice up to the present day. A direct compari­son highlights the surprising similarities and marked differences in their oeuvres, and reveals the artists’ compelling reasons for a decidedly contemporary art of sculpture.