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GUGE Ages of Gold

GUGE Ages of Gold

The West Tibetan Masterpieces

During the 10th century Buddhism blossomed in the far west of Tibet into unexpected magnificence and greatness. In breathtaking views of temple complexes that are no longer accessible to Western cameras, this volume shows for the first time anywhere in the world the masterly relics of that incomparable era that have survived to the present day, from both the Indian and the Tibetan side of the old Kingdom of Guge.

The rulers of the Kingdom of Guge were patrons of the arts who invited Indian scholars to translate the texts of the Buddha into Tibetan, thereby preserving the teachings. At the same time they had a large number of temple complexes built and ornamented to create unique artworks by master craftsmen from Kashmir. Until well into the 17th century Guge experienced two golden ages in which the West Tibetan artistic style was perfected in monasteries like Tholing, Tsaparang and Dungkar. Together with “TABO – Gods of Light: The Indo-Tibetan Masterpiece” this volume represents a unique overall view of the monastery art of Western Tibet.

Pris ved	1	Stk		550,00 DKK

Emne	Ældre kulturer
Kunstner
Forfatter	Peter van Ham
Sprog	Engelsk
Illustrationer	527 farve illustrationer, 2 fold-outs
Format / Sideantal	29 x 28 cm. / 390 s.
Udgivelsesår	2016
Indbinding	Indbundet
Forlag	Hirmer Verlag
Antikvarisk

Antal

Køb

ISBN	978-3-7774-2668-6
Lev.	3-5 dage

The West Tibetan Masterpieces

During the 10th century Buddhism blossomed in the far west of Tibet into unexpected magnificence and greatness. In breathtaking views of temple complexes that are no longer accessible to Western cameras, this volume shows for the first time anywhere in the world the masterly relics of that incomparable era that have survived to the present day, from both the Indian and the Tibetan side of the old Kingdom of Guge.

The rulers of the Kingdom of Guge were patrons of the arts who invited Indian scholars to translate the texts of the Buddha into Tibetan, thereby preserving the teachings. At the same time they had a large number of temple complexes built and ornamented to create unique artworks by master craftsmen from Kashmir. Until well into the 17th century Guge experienced two golden ages in which the West Tibetan artistic style was perfected in monasteries like Tholing, Tsaparang and Dungkar. Together with “TABO – Gods of Light: The Indo-Tibetan Masterpiece” this volume represents a unique overall view of the monastery art of Western Tibet.