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Paul Cézanne - The 1907 Paris Exhibition

Paul Cézanne - The 1907 Paris Exhibition

Paul Cézanne (1839–1906)

When the greatest painter of the nineteenth century and one of the most important poets of the twentieth century met at the dawn of modernism.
October 1907. An exhibition was held in honour of the French painter Paul Cézanne, who had died a year earlier, as part of the Salon d’Automne in Paris.
The Austrian poet and novelist Rainer Maria Rilke was then aged thirty-two and living in Paris, where he worked as the secretary of sculptor Auguste Rodin. He visited the exhibition several times and gave his impressions in a series of letters written to his wife, the sculptress Clara Rilke Westhoff, in which he revealed the profound emotional impact that Cézanne’s art had on him. These letters are among the most important accounts of the reception given to Cézanne’s works shortly after his death and contain astonishing remarks on their artistic qualities. From a stylistic viewpoint, however, Rilke’s reflections go far beyond those of simple art criticism.

Pris ved	1	Stk		485,00 DKK

Emne	Impressionisme
Kunstner	Paul Cézanne
Forfatter	Rainer Maria Rielke;
Sprog	Engelsk
Illustrationer	69 farveill.
Format / Sideantal	19 x 23 cm. / 200 s.
Udgivelsesår	2018
Indbinding	Indbundet
Forlag	Schirmer/Mosel
Antikvarisk

Antal

Køb

ISBN	9783829608473
Lev.	3-5 dage

Paul Cézanne (1839–1906)

When the greatest painter of the nineteenth century and one of the most important poets of the twentieth century met at the dawn of modernism.
October 1907. An exhibition was held in honour of the French painter Paul Cézanne, who had died a year earlier, as part of the Salon d’Automne in Paris.
The Austrian poet and novelist Rainer Maria Rilke was then aged thirty-two and living in Paris, where he worked as the secretary of sculptor Auguste Rodin. He visited the exhibition several times and gave his impressions in a series of letters written to his wife, the sculptress Clara Rilke Westhoff, in which he revealed the profound emotional impact that Cézanne’s art had on him. These letters are among the most important accounts of the reception given to Cézanne’s works shortly after his death and contain astonishing remarks on their artistic qualities. From a stylistic viewpoint, however, Rilke’s reflections go far beyond those of simple art criticism.