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SALON TO BIENNIAL - EXHIBITIONS THAT MADE ART HISTORY, VOLUME I: 1863-1959

SALON TO BIENNIAL - EXHIBITIONS THAT MADE ART HISTORY, Volume I

The most comprehensive reference book on contemporary art group exhibitions.

Conceived and edited by Phaidon Editors and Bruce Altshuler, Introductory essay and chapter introductions by Bruce Altshuler
  • The development of modern art, shown through all of the most influential group exhibitions in history
  • The only book available that charts these groundbreaking events in such detail and scope
  • First in a two-volume set, with the second volume intended for publication in 2009,
    Volume 1 opens with the revolutionary first Salon des Refusés in Paris of 1863 and concludes with the multi-locational international exhibition 'The New American Painting', organized by the Museum of Modern Art, New York, 1958–59
  • Includes a wealth of rare documentary material and ephemera, such as installation photographs, publications and reviews of the period
  • An exceptional sourcebook for anyone interested in the history of twentieth-century art, exhibition design or curatorial practice
Pris ved 1 698,00 DKK

Emne Kunsthistorie
Kunstner Diverse
Forfatter
Sprog Engelsk tekst
Illustrationer 500 ill, heraf 150 i farver
Format / Sideantal 29 x 25 cm / 410 sider
Udgivelsesår 2008
Indbinding Indbundet
Forlag Phaidon
Antikvarisk
Antal
Køb
ISBN 9780714844053
Lev. 3-5 dage

SALON TO BIENNIAL - EXHIBITIONS THAT MADE ART HISTORY, Volume I

The most comprehensive reference book on contemporary art group exhibitions.

Conceived and edited by Phaidon Editors and Bruce Altshuler, Introductory essay and chapter introductions by Bruce Altshuler
  • The development of modern art, shown through all of the most influential group exhibitions in history
  • The only book available that charts these groundbreaking events in such detail and scope
  • First in a two-volume set, with the second volume intended for publication in 2009,
    Volume 1 opens with the revolutionary first Salon des Refusés in Paris of 1863 and concludes with the multi-locational international exhibition 'The New American Painting', organized by the Museum of Modern Art, New York, 1958–59
  • Includes a wealth of rare documentary material and ephemera, such as installation photographs, publications and reviews of the period
  • An exceptional sourcebook for anyone interested in the history of twentieth-century art, exhibition design or curatorial practice