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Bård Breivik

The work of the Norwegian artist Bård Breivik (1948-2016) unfolds over more than 1,000 pages in a stunning presentation of a career in sculpture and Conceptual art encompassing more than forty years. Thematically arranged source material, including interviews, sketches, anecdotes and reviews elucidate the phenomenon that is Bård Breivik.

The sheer volume of his oeuvre is also reflected in his choice of materials: he switches as if by sleight of hand between sand and snow, wood, rock and steel. In a series that has continued to evolve since 1986, he has persisted in working on vertically arranged forms 120 cm in length, which have been designed with the means of differing cultural traditions, thus retaining their uniqueness.

I’d Love the Key to the Master Lock (Vol. 1)
Score for a Longer Conversation (Vol. 2)

Book 1 with essays and contributions by Jan H. Landro, Mats B, Per Gunnar Eeg-Tverbakk, Sigurdur Gudmundsson, Stig Holmaas, Ingvild Krogvig, Gerhard Stoltz, Arvid Pettersen, Jorunn Veiteberg, Lars Nittve, Jan Håfström, Ulf Rollof, Paul Osipow, Sune Nordgren, Bo Nilsson, Gerd Tinglum/Hilmar Fredriksen, Georg Morgenstern, Sverre Wyller, Martin Puryear, Jørgen Lund, Janne Stang Dahl, Wu Hong, Frode Sandvik
Book 2 with essays and contributions by Lars Nittve, Ika Kaminka, Cato Litangen, Henrik Roaldsnes, Aslaug Nyrnes
Pris ved 1Stk 998,00 DKK

Emne Skulptur, konceptkunst
Kunstner Bård Breivik
Forfatter se tekst
Sprog Engelsk
Illustrationer Vol. 1: over 1,500 ill. Vol. 2: over 250 ill.
Format / Sideantal 19 x 25.3 cm. / vol. 1. 1000 s - Vol. 2. 300 s.
Udgivelsesår 2016
Indbinding Slipcase med 2 bind (softcover)
Forlag Arnoldsche
Antikvarisk
Antal
Køb
ISBN 978-3897904675
Lev. 3-5 dage
The work of the Norwegian artist Bård Breivik (1948-2016) unfolds over more than 1,000 pages in a stunning presentation of a career in sculpture and Conceptual art encompassing more than forty years. Thematically arranged source material, including interviews, sketches, anecdotes and reviews elucidate the phenomenon that is Bård Breivik.

The sheer volume of his oeuvre is also reflected in his choice of materials: he switches as if by sleight of hand between sand and snow, wood, rock and steel. In a series that has continued to evolve since 1986, he has persisted in working on vertically arranged forms 120 cm in length, which have been designed with the means of differing cultural traditions, thus retaining their uniqueness.

I’d Love the Key to the Master Lock (Vol. 1)
Score for a Longer Conversation (Vol. 2)

Book 1 with essays and contributions by Jan H. Landro, Mats B, Per Gunnar Eeg-Tverbakk, Sigurdur Gudmundsson, Stig Holmaas, Ingvild Krogvig, Gerhard Stoltz, Arvid Pettersen, Jorunn Veiteberg, Lars Nittve, Jan Håfström, Ulf Rollof, Paul Osipow, Sune Nordgren, Bo Nilsson, Gerd Tinglum/Hilmar Fredriksen, Georg Morgenstern, Sverre Wyller, Martin Puryear, Jørgen Lund, Janne Stang Dahl, Wu Hong, Frode Sandvik
Book 2 with essays and contributions by Lars Nittve, Ika Kaminka, Cato Litangen, Henrik Roaldsnes, Aslaug Nyrnes