EVA HESSE. SPECTRES 1960.

EVA HESSE (1936-1970)

In 1960 Eva Hesse created an unusual group of oil paintings that, when considered in contrast to her sculptural assemblages from 1965 to 1970, foretell her desire to embody emotional states in abstract form. Contrary to existing scholarship, which suggests that these works represent a form of self-deprecation, this book seeks to consider these \'spectre\' paintings as manifestations of a private, haunted interiority in the context of the artist\'s burgeoning maturity. The paintings in the spectre campaign comprise two distinct categories. The first, a selection of small-scale oil on Masonite paintings, depicts two or three loosely rendered figures positioned in vacant pictorial spaces. These gaunt forms portray an apparent disconnection between one body and another; and yet, the pictorial drama of the works would be incomplete without the presence of each figure. The second group of paintings imbues a more perplexing psychological state, as characters alternately take on the forms of alien-like creatures or as close resemblances to the artist herself. Through an enlightening assessment of these under-appreciated works, readers will gain new insight into their pivotal role in Hesse\'s oeuvre

AUTHOR BIOGRAPHY:
E. Luanne McKinnon is Director of the University of New Mexico Art Museum. Elisabeth Bronfen is a Global Distinguished Professor of German, NYU, and Chair of American Studies at the University of Zurich. Louise S. Milne is Lecturer at Napier University and the Centre for Visual Studies, Edinburgh College of Art, Scotland. Helen A. Molesworth is the Maisie K. and James R. Houghton Curator of Contemporary Art at the Fogg Art Museum, Harvard University.

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Emne Skulptur
Kunstner HESSE, Eva
Forfatter ed. E. Luanne McKinnon
Sprog Engelsk tekst
Illustrationer 30 ill. i farver
Format / Sideantal 24 x 18 cm / 130 sider
Udgivelsesår 2010
Indbinding Indbundet
Forlag Yale University Press
Antikvarisk
Antal
Køb
ISBN 9780300164152
Lev. 3 dage

EVA HESSE (1936-1970)

In 1960 Eva Hesse created an unusual group of oil paintings that, when considered in contrast to her sculptural assemblages from 1965 to 1970, foretell her desire to embody emotional states in abstract form. Contrary to existing scholarship, which suggests that these works represent a form of self-deprecation, this book seeks to consider these \'spectre\' paintings as manifestations of a private, haunted interiority in the context of the artist\'s burgeoning maturity. The paintings in the spectre campaign comprise two distinct categories. The first, a selection of small-scale oil on Masonite paintings, depicts two or three loosely rendered figures positioned in vacant pictorial spaces. These gaunt forms portray an apparent disconnection between one body and another; and yet, the pictorial drama of the works would be incomplete without the presence of each figure. The second group of paintings imbues a more perplexing psychological state, as characters alternately take on the forms of alien-like creatures or as close resemblances to the artist herself. Through an enlightening assessment of these under-appreciated works, readers will gain new insight into their pivotal role in Hesse\'s oeuvre

AUTHOR BIOGRAPHY:
E. Luanne McKinnon is Director of the University of New Mexico Art Museum. Elisabeth Bronfen is a Global Distinguished Professor of German, NYU, and Chair of American Studies at the University of Zurich. Louise S. Milne is Lecturer at Napier University and the Centre for Visual Studies, Edinburgh College of Art, Scotland. Helen A. Molesworth is the Maisie K. and James R. Houghton Curator of Contemporary Art at the Fogg Art Museum, Harvard University.