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JAMES ENSOR - MOMA

JAMES ENSOR (1860-1949)

This remarkable book, published to accompany an exhibition at The Museum of Modern Art, is the most comprehensive volume on Ensor in English. Approximately ninety paintings, prints, and drawings are featured, creating a complete picture of the artist\'s daring, experimental oeuvre.

Ensor\'s modernity, his innovative and allegorical approach to light, his prominent use of satire, his deep interest in carnival and performance, and, finally, his own self-fashioning, masking, and role playing are examined in essays by Susan Canning, professor of art history, College of New Rochelle, New York; Michel Draguet, director, Royal Museums of Fine Arts of Belgium; Robert Hoozee, director, Ghent Museum of Fine Arts; Anna Swinbourne, Assistant Curator in the Department of Painting and Scultpure at MoMA; and Herwig Todts, curator, Koninklijk Museum voor Schone Kunsten, Antwerp.

UDSTILLING: James Ensor (1860–1949) was a major figure in the Belgian avant-garde of the late nineteenth century and an important precursor to the development of Expressionism in the early twentieth. In both respects he has influenced generations of later artists. This exhibition presents approximately 120 works, examining Ensor\'s contribution to modernity, his innovative and allegorical use of light, his prominent use of satire, his deep interest in carnival and performance, and his own self-fashioning and use of masking, travesty, and role-playing. Examples of Ensor\'s paintings, prints, and drawings are installed in an overlapping network of themes and images to produce a complete picture of this daring, experiential body of work. Ultimately, this exhibition presents James Ensor as a socially engaged and self-critical artist involved with the issues of his times and with contemporary debates on the very nature of modernism. The exhibition, which is accompanied by a fully illustrated catalogue, will travel to the Musée d\'Orsay, Paris, October 2009–February 2010

FORFATTERE:  Anna Swinbourne. Essays by Susan Canning, Michel Draguet, Robert Hoozee, Laurence Madeline, Jane Panetta, Anna Swinbourne, and Herwig Todts.

Pris ved 1 679,00 DKK

Emne Ekspressionisme
Kunstner ENSOR, James
Forfatter Se teksten nedenfor
Sprog Engelsk tekst
Illustrationer 169 ill, heraf 162 i farver
Format / Sideantal 28 x 22 cm / 208 sider
Udgivelsesår 2009
Indbinding Indbundet
Forlag MOMA Museum of Modern Art, New York
Antikvarisk
Antal
Køb
ISBN 9780870707520
Lev. 3-5 dage

JAMES ENSOR (1860-1949)

This remarkable book, published to accompany an exhibition at The Museum of Modern Art, is the most comprehensive volume on Ensor in English. Approximately ninety paintings, prints, and drawings are featured, creating a complete picture of the artist\'s daring, experimental oeuvre.

Ensor\'s modernity, his innovative and allegorical approach to light, his prominent use of satire, his deep interest in carnival and performance, and, finally, his own self-fashioning, masking, and role playing are examined in essays by Susan Canning, professor of art history, College of New Rochelle, New York; Michel Draguet, director, Royal Museums of Fine Arts of Belgium; Robert Hoozee, director, Ghent Museum of Fine Arts; Anna Swinbourne, Assistant Curator in the Department of Painting and Scultpure at MoMA; and Herwig Todts, curator, Koninklijk Museum voor Schone Kunsten, Antwerp.

UDSTILLING: James Ensor (1860–1949) was a major figure in the Belgian avant-garde of the late nineteenth century and an important precursor to the development of Expressionism in the early twentieth. In both respects he has influenced generations of later artists. This exhibition presents approximately 120 works, examining Ensor\'s contribution to modernity, his innovative and allegorical use of light, his prominent use of satire, his deep interest in carnival and performance, and his own self-fashioning and use of masking, travesty, and role-playing. Examples of Ensor\'s paintings, prints, and drawings are installed in an overlapping network of themes and images to produce a complete picture of this daring, experiential body of work. Ultimately, this exhibition presents James Ensor as a socially engaged and self-critical artist involved with the issues of his times and with contemporary debates on the very nature of modernism. The exhibition, which is accompanied by a fully illustrated catalogue, will travel to the Musée d\'Orsay, Paris, October 2009–February 2010

FORFATTERE:  Anna Swinbourne. Essays by Susan Canning, Michel Draguet, Robert Hoozee, Laurence Madeline, Jane Panetta, Anna Swinbourne, and Herwig Todts.