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MAURIZIO CATTELAN. ALL

MAURIZIO CATTELAN. ALL

MAURIZIO CATTELAN (1960-)

Hailed simultaneously as a provocateur, prankster and tragic poet of our times, Italian artist Maurizio Cattelan has created some of the most unforgettable images in recent contemporary art--most notoriously with "The Ninth Hour," his 1999 sculpture of Pope John Paul II struck by a meteorite. Cattelan's subjects range widely, being derived from popular culture, history and organized religion; while bold and irreverent, the work is also deadly serious in its scathing cultural critique. Maurizio Cattelan: All accompanies the Guggenheim Museum's retrospective survey of the artist. For the exhibition, the museum has devised a site-specific installation intended to sidestep the totalizing effect of a retrospective, and for this catalogue the museum has produced an equally unique response to this dilemma and to the conventions of the catalogue format. All is a faux-leather-bound hardcover with gold stamping and thin paper that is designed to resemble an old textbook or bible.

Pris ved	1			439,00 DKK

Emne	Skulptur
Kunstner	CATTELAN, MAURIZIO
Forfatter	Nancy Spector
Sprog	Engelsk tekst
Illustrationer	Gennem ill. i farver
Format / Sideantal	25 x 17 cm / 256 sider
Udgivelsesår	2011
Indbinding	indbundet
Forlag	Guggenheim Museum
Antikvarisk

Antal

Køb

ISBN	9780892074167
Lev.	3-5 dage

MAURIZIO CATTELAN (1960-)

Hailed simultaneously as a provocateur, prankster and tragic poet of our times, Italian artist Maurizio Cattelan has created some of the most unforgettable images in recent contemporary art--most notoriously with "The Ninth Hour," his 1999 sculpture of Pope John Paul II struck by a meteorite. Cattelan's subjects range widely, being derived from popular culture, history and organized religion; while bold and irreverent, the work is also deadly serious in its scathing cultural critique. Maurizio Cattelan: All accompanies the Guggenheim Museum's retrospective survey of the artist. For the exhibition, the museum has devised a site-specific installation intended to sidestep the totalizing effect of a retrospective, and for this catalogue the museum has produced an equally unique response to this dilemma and to the conventions of the catalogue format. All is a faux-leather-bound hardcover with gold stamping and thin paper that is designed to resemble an old textbook or bible.