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AUGUSTE RODIN AND CAMILLE CLAUDEL / Pegasus-Library (indbundet)

AUGUSTE RODIN (1840-1917)  CAMILLE CLAUDEL (1864-1943)

The author, a Rodin specialist, examines the interplay of passion, self-destruction, and aesthetic development that characterized one of the most artistically fruitful, yet ultimately tragic, turn-of-the-century love affairs.

"I spent most of my short academic career studying 19th century women artists, so I could not resist grabbing this book at a rummage sale, a "for old times' sake" kind of reflex.
I am very glad I did, as this is a very "temperate" look at the Camille Claudel / Auguste Rodin story. By that I mean that the author resisted the temptation to fall into an overly militant interpretation of the relationship between those two artists. This was particularly evident in the analysis of Camille Claudel's work and career; I was very impressed with the "sober" read of her actual worth as a sculptor. I also appreciated the author's obviously conscious effort to stay clear of any sensationalism, a very easy pitfall when one considers the truly dramatic nature of the source material.
The illustrations are very well chosen and serve the text very efficiently.
Finally, it is a very fascinating read, a great accomplishment for an analytical, albeit strongly biographical, book."

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Pris ved 1Stk 248,00 DKK

Emne Skulptur
Kunstner RENOIR, Auguste & Camille CLAUDEL
Forfatter Eisenwerth, J.A. Schmoll gen.
Sprog Engelsk tekst
Illustrationer 83 ill. i duotone
Format / Sideantal 24 x 17 cm / 128 sider
Udgivelsesår 1994
Indbinding Indbundet
Forlag Prestel
Antikvarisk
Antal
Køb
ISBN 3791313827
Lev. 14 dage

AUGUSTE RODIN (1840-1917)  CAMILLE CLAUDEL (1864-1943)

The author, a Rodin specialist, examines the interplay of passion, self-destruction, and aesthetic development that characterized one of the most artistically fruitful, yet ultimately tragic, turn-of-the-century love affairs.

"I spent most of my short academic career studying 19th century women artists, so I could not resist grabbing this book at a rummage sale, a "for old times' sake" kind of reflex.
I am very glad I did, as this is a very "temperate" look at the Camille Claudel / Auguste Rodin story. By that I mean that the author resisted the temptation to fall into an overly militant interpretation of the relationship between those two artists. This was particularly evident in the analysis of Camille Claudel's work and career; I was very impressed with the "sober" read of her actual worth as a sculptor. I also appreciated the author's obviously conscious effort to stay clear of any sensationalism, a very easy pitfall when one considers the truly dramatic nature of the source material.
The illustrations are very well chosen and serve the text very efficiently.
Finally, it is a very fascinating read, a great accomplishment for an analytical, albeit strongly biographical, book."

DENNE UDGAVE ER EN HÆFTET UDGAVE