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Basquiat - Boom for Real

Basquiat - Boom for Real

JEAN-MICHEL BASQUIAT (1960-1988)

Basquiat first came to prominence when he collaborated with Al Diaz to spray-paint enigmatic statements under the pseudonym SAMO©. He went on to work on collages, Xerox art, postcards, performances, and music before establishing his reputation as one of the most important painters of his generation. Accompanying a major exhibition at the Barbican Art Gallery, this book opens with introductory essays from the curators, which place his practice in a wider art historical context and look at his career through the lens of performance. Six thematic chapters offer new research, with essays from poet Christian Campbell on SAMO©; curator Carlo McCormick on New York / New Wave; writer Glenn O’Brien on the downtown scene; academic Jordana Moore Saggese on Basquiat’s relationship to film and television; and music scholar Francesco Martinelli on Basquiat’s obsession with jazz. This insightful new survey also features extended captions, rare archival material, and extensive photography, demonstrating how Basquiat’s legacy remains more powerful and relevant than ever today.

Pris ved	1	Stk		450,00 DKK

Emne	Nutidskunst
Kunstner	Jean-Michel Basquiat
Forfatter	Dieter Buchhart, Eleanor Nairne, Lotte Johnson
Sprog	Engelsk
Illustrationer	259 farve ill., 53 s/h ill.
Format / Sideantal	24 x 28 cm. / 296 s.
Udgivelsesår	2017
Indbinding	Hæftet
Forlag	Prestel
Antikvarisk

Antal

Køb

ISBN	978-3-7913-59502
Lev.	3-5 dage

JEAN-MICHEL BASQUIAT (1960-1988)

Basquiat first came to prominence when he collaborated with Al Diaz to spray-paint enigmatic statements under the pseudonym SAMO©. He went on to work on collages, Xerox art, postcards, performances, and music before establishing his reputation as one of the most important painters of his generation. Accompanying a major exhibition at the Barbican Art Gallery, this book opens with introductory essays from the curators, which place his practice in a wider art historical context and look at his career through the lens of performance. Six thematic chapters offer new research, with essays from poet Christian Campbell on SAMO©; curator Carlo McCormick on New York / New Wave; writer Glenn O’Brien on the downtown scene; academic Jordana Moore Saggese on Basquiat’s relationship to film and television; and music scholar Francesco Martinelli on Basquiat’s obsession with jazz. This insightful new survey also features extended captions, rare archival material, and extensive photography, demonstrating how Basquiat’s legacy remains more powerful and relevant than ever today.