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Gluck - Art and Indentity

Gluck - Art and Indentity

Gluck (Hannah Gluckstein) (1895-1976)

Hannah Gluckstein (who called herself Gluck) was a distinctive, original voice in the early evolution of modern art in Britain. This handsome book presents a major reassessment of Gluck's life and work, examining, among other things, the artist's numerous personal relationships and contemporary notions of gender and social history. Gluck's paintings comprise a full range of artistic genres—still life, landscape, portraiture—as well as images of popular entertainers. Financially independent and somewhat freed from social convention, Gluck highlighted her sexual identity, cutting her hair short and dressing as a man, and the artist is known for a powerful series of self-portraits that played with conventions of masculinity and femininity. Richly illustrated, this volume is a timely and significant contribution to gender studies and to the understanding of a complex and important modern painter.

Pris ved	1	Stk		350,00 DKK

Emne	Nutidskunst
Kunstner	Gluck (Hannah Gluckstein)
Forfatter	Amy de la Haye, Martin Pel
Sprog	Engelsk
Illustrationer	236 farveill.
Format / Sideantal	18,5 x 26 cm. / 208 s.
Udgivelsesår	2017
Indbinding	Indbundet
Forlag	Yale University Press
Antikvarisk

Antal

Køb

ISBN	9780300230482
Lev.	3-5 dage

Gluck (Hannah Gluckstein) (1895-1976)

Hannah Gluckstein (who called herself Gluck) was a distinctive, original voice in the early evolution of modern art in Britain. This handsome book presents a major reassessment of Gluck's life and work, examining, among other things, the artist's numerous personal relationships and contemporary notions of gender and social history. Gluck's paintings comprise a full range of artistic genres—still life, landscape, portraiture—as well as images of popular entertainers. Financially independent and somewhat freed from social convention, Gluck highlighted her sexual identity, cutting her hair short and dressing as a man, and the artist is known for a powerful series of self-portraits that played with conventions of masculinity and femininity. Richly illustrated, this volume is a timely and significant contribution to gender studies and to the understanding of a complex and important modern painter.