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ODILON REDON. AS IN A DREAM

ODILON REDON (1840-1916)

Odilon Redon was one of the central figures of French Symbolist art. In his charcoal drawings and lithographs from the age of the Impressionists, Redon devoted himself to the human subconscious, with its fears and nightmares, and produced an urgent and almost eerie body of work. In pastels and paintings around the end of the nineteenth century Redon developed his characteristically intense palette. His figures and objects taken from the worlds of antiquity and Christianity or from nature are usually veiled in iridescent clouds of color, and their effect is enigmatic and mystical. With more than 200 works, the publication attempts to underline Redon’s central importance for an emergent Modernism. Much admired by Cézanne, Degas, and Matisse, he influenced artists as different as Duchamp, the Surrealists, and even Jasper Johns.

Edited by Margret Stuffmann, Max Hollein, texts by Markus Bernauer, Ulrike Goeschen, Stefanie Heraeus, Norbert Miller, Ewald Rathke, Margret Stuffmann u.a.

Exhibition schedule: Schirn Kunsthalle Frankfurt, January 28–April 29,2007

Pris ved 1 529,00 DKK

Emne Nutidskunst
Kunstner REDON, Odilon
Forfatter
Sprog Engelsk tekst
Illustrationer 325 ill. i farver
Format / Sideantal 29 x 24 cm / 336 sider
Udgivelsesår 2007
Indbinding Indbundet
Forlag Hatje Cantz
Antikvarisk
Antal
Køb
ISBN 9783775718943
Lev. 3 dage

ODILON REDON (1840-1916)

Odilon Redon was one of the central figures of French Symbolist art. In his charcoal drawings and lithographs from the age of the Impressionists, Redon devoted himself to the human subconscious, with its fears and nightmares, and produced an urgent and almost eerie body of work. In pastels and paintings around the end of the nineteenth century Redon developed his characteristically intense palette. His figures and objects taken from the worlds of antiquity and Christianity or from nature are usually veiled in iridescent clouds of color, and their effect is enigmatic and mystical. With more than 200 works, the publication attempts to underline Redon’s central importance for an emergent Modernism. Much admired by Cézanne, Degas, and Matisse, he influenced artists as different as Duchamp, the Surrealists, and even Jasper Johns.

Edited by Margret Stuffmann, Max Hollein, texts by Markus Bernauer, Ulrike Goeschen, Stefanie Heraeus, Norbert Miller, Ewald Rathke, Margret Stuffmann u.a.

Exhibition schedule: Schirn Kunsthalle Frankfurt, January 28–April 29,2007