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PORTRAITS

GERHARD RICHTER (1932-)

The first comprehensive overview of portraits in the work of Gerhard Richter-paintings, photographs, watercolors, drawings, and prints from the sixties to the present.

Already icons of the modern era, paintings such as Ema (Nude on a Staircase), Uncle Rudi, Mister Heyde, 48 Portraits, Self-Portrait, Family at the Sea, Small Bathers, Reader, Moritz, and Betty prove the great importance of the portrait in Gerhard Richter’s oeuvre. In an informative essay, Stefan Gronert follows the development of this genre in the artist’s work, starting with the blurred black-and-white pictures of the 1960s and moving on to the more recent colorful panels. This book demonstrates how Richter pursues the theme of the portrait in his various types of work, as well as in all of the visual genres in which he works: painting, prints, drawing, photography, and film.

During research, previously unknown portraits came to light and are published in this monograph for the first time. Some of them are presented in an essay by Hubertus Butin, who devotes himself to Richter’s portrait photography of the 1960s. 

Exhibition schedule: Museumsberg Flensburg, May 7-July 9, 2006

 

Pris ved 1 349,00 DKK

Emne Nutidskunst
Kunstner RICHTER, Gerhard
Forfatter Stefan Gronert
Sprog Engelsk tekst
Illustrationer 165 ill, heraf 145 i farver
Format / Sideantal 24 x 17 cm / 256 sider
Udgivelsesår 2006
Indbinding Indbundet
Forlag Hatje Cantz Publishers
Antikvarisk
Antal
Køb
ISBN 9783775717250
Lev. 3-5 dage

GERHARD RICHTER (1932-)

The first comprehensive overview of portraits in the work of Gerhard Richter-paintings, photographs, watercolors, drawings, and prints from the sixties to the present.

Already icons of the modern era, paintings such as Ema (Nude on a Staircase), Uncle Rudi, Mister Heyde, 48 Portraits, Self-Portrait, Family at the Sea, Small Bathers, Reader, Moritz, and Betty prove the great importance of the portrait in Gerhard Richter’s oeuvre. In an informative essay, Stefan Gronert follows the development of this genre in the artist’s work, starting with the blurred black-and-white pictures of the 1960s and moving on to the more recent colorful panels. This book demonstrates how Richter pursues the theme of the portrait in his various types of work, as well as in all of the visual genres in which he works: painting, prints, drawing, photography, and film.

During research, previously unknown portraits came to light and are published in this monograph for the first time. Some of them are presented in an essay by Hubertus Butin, who devotes himself to Richter’s portrait photography of the 1960s. 

Exhibition schedule: Museumsberg Flensburg, May 7-July 9, 2006