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Sean Scully - The Shape of Ideas

SEAN SCULLY (1945-)

In a sustained exploration of the possibilities of abstraction, Sean Scully has created a rich body of work throughout his 50-year career. Sean Scully: The Shape of Ideas sets his entire output within a detailed biographical framework, closely examining the relationship between the artist’s paintings and his lesser-known drawings, pastels, watercolors, and prints—areas of Scully’s production that are rarely considered together. At the heart of the book is an investigation of the development and reception of Scully’s work based on historical and contemporary reviews as well as extensive interviews with the artist. Featured contributions include a preface by Marla Price, author of Scully’s multivolume catalogue raisonné, and an essay by the poet and art critic Kelly Grovier on the unique contribution Scully has made to the history of abstraction. Published to coincide with the artist’s touring retrospective exhibition, this publication presents sumptuous illustrations and detailed accounts of his most significant bodies of work, offering new insight into his practice. It is an indispensable resource to understanding Scully’s wide-ranging oeuvre and his influential place in contemporary art history.

Pris ved 1Stk 450,00 DKK

Emne Nutidskunst
Kunstner Sean Scully
Forfatter Timothy Rub; Amanda Sroka
Sprog Engelsk
Illustrationer 195 frv. + s/h ill.
Format / Sideantal 25 x 31 cm. / 256 s.
Udgivelsesår 2020
Indbinding Indbundet
Forlag Yale University Press
Antikvarisk
Antal
Køb
ISBN 9780876332955
Lev. 3-5 dage

SEAN SCULLY (1945-)

In a sustained exploration of the possibilities of abstraction, Sean Scully has created a rich body of work throughout his 50-year career. Sean Scully: The Shape of Ideas sets his entire output within a detailed biographical framework, closely examining the relationship between the artist’s paintings and his lesser-known drawings, pastels, watercolors, and prints—areas of Scully’s production that are rarely considered together. At the heart of the book is an investigation of the development and reception of Scully’s work based on historical and contemporary reviews as well as extensive interviews with the artist. Featured contributions include a preface by Marla Price, author of Scully’s multivolume catalogue raisonné, and an essay by the poet and art critic Kelly Grovier on the unique contribution Scully has made to the history of abstraction. Published to coincide with the artist’s touring retrospective exhibition, this publication presents sumptuous illustrations and detailed accounts of his most significant bodies of work, offering new insight into his practice. It is an indispensable resource to understanding Scully’s wide-ranging oeuvre and his influential place in contemporary art history.