Hjemmesiden anvender cookies

Denne hjemmeside sætter cookies for at opnå en funktionel side og for at huske dine foretrukne indstillinger. Ved hjælp af cookies laver vi statistikker og analyserer besøg på vores side så vi sikrer, at siden hele tiden forbedres, og at vores markedsføring bliver relevant for dig. Hvis du giver dit samtykke, så tillader du, at vi sætter cookies (enten i form af egne cookies og/eller fra tredjeparter), og at vi behandler de personoplysninger, som indsamles via de cookies. Du kan læse mere om cookies i vores cookiepolitik her hvor du også altid har mulighed for at trække dit samtykke tilbage.

Herunder kan du vælge cookies til eller fra. Navnet på de forskellige typer af cookies fortæller, hvilket formål de tjener.

WOMEN GALLERISTS IN THE 20th AND 21th CENTURIES

WOMEN GALLERISTS

From the “Mom of Pop” to the “Papess of Op Art,” thirty brief portraits of female gallery owners by expert insider Claudia Herstatt.

Behind every successful artist is a good gallery. Many of the important male art dealers—from Ambroise Vollard to Daniel-Henry Kahnweiler—have immortalized themselves by publishing their memoirs. Yet with the exception of Peggy Guggenheim, little has been written about the women to whom credit is due for their promotion of art and individual artists: Betty Parsons supported Barnett Newman and Jackson Pollock until they achieved their international breakthroughs. Antonina Gmurzynska, a native of Warsaw, opened Westerners’ eyes to the artists of the eastern European avant-garde, eventually helping them gain recognition and bring in high prices for their work. Denise René is still regarded as the “Papess of Op Art,” and Ileana Sonnabend is, and will always be, the “Mom of Pop.” In a selection of thirty portraits, this book presents three generations of women who have pursued their ambitions in the gallery business—beginning with the pioneers and the powerful women who lead the market today to a new generation of self-assured young women gallerists who are now actively involved in the global art market and shaking the foundations of a traditionally male profession. 

 

 

Pris ved 1 349,00 DKK

Emne Samlinger - Museer og Private
Kunstner Diverse
Forfatter Claudia Herstatt
Sprog Engelsk tekst
Illustrationer 108 ill, heraf 96 i farver
Format / Sideantal 24 x 17 cm / 208 sider
Udgivelsesår 2008
Indbinding Indbundet
Forlag Hatje Cantz Publishers
Antikvarisk
Antal
Køb
ISBN 9783775719759
Lev. 3-5 dage

WOMEN GALLERISTS

From the “Mom of Pop” to the “Papess of Op Art,” thirty brief portraits of female gallery owners by expert insider Claudia Herstatt.

Behind every successful artist is a good gallery. Many of the important male art dealers—from Ambroise Vollard to Daniel-Henry Kahnweiler—have immortalized themselves by publishing their memoirs. Yet with the exception of Peggy Guggenheim, little has been written about the women to whom credit is due for their promotion of art and individual artists: Betty Parsons supported Barnett Newman and Jackson Pollock until they achieved their international breakthroughs. Antonina Gmurzynska, a native of Warsaw, opened Westerners’ eyes to the artists of the eastern European avant-garde, eventually helping them gain recognition and bring in high prices for their work. Denise René is still regarded as the “Papess of Op Art,” and Ileana Sonnabend is, and will always be, the “Mom of Pop.” In a selection of thirty portraits, this book presents three generations of women who have pursued their ambitions in the gallery business—beginning with the pioneers and the powerful women who lead the market today to a new generation of self-assured young women gallerists who are now actively involved in the global art market and shaking the foundations of a traditionally male profession.