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ZERO - Countdown to Tomorrow 1950s–60s

ZERO: Countdown to Tomorrow, 1950s–60s is the first large-scale historical survey in the United States dedicated to the German artist group Zero (1957–66). Founded by Heinz Mack and Otto Piene, joined by Günther Uecker in 1961, the group expanded to include ZERO, an international network of like-minded artists who shared the group’s aspiration to redefine art in the aftermath of World War II. Featuring more than 40 artists from 10 countries, the catalogue explores the experimental practices developed by this extensive network of ZERO artists. The publication is organized around points of intersection, exchange, and collaboration that defined these artists’ shared history. Among the themes explored are the establishment of new definitions of painting; the introduction of movement and light as both formal and idea-based aspects of art; the use of space as subject and material; the interrogation of the relationship between nature, technology, and humankind; and the production of live actions or demonstrations. At once a snapshot of a specific group and a portrait of a generation, this title celebrates the pioneering nature of both the art and the transnational vision advanced by the ZERO network.

With contributions by Hillings, Daniel Birnbaum, Edouard Derom, Johan Pas, Dirk Pörschmann, and Margriet Schavemaker
 
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Emne Nouveaux realistes - Zero
Kunstner
Forfatter Valerie Hillings
Sprog Engelsk
Illustrationer 170 farve illustrationer
Format / Sideantal 28,5 x 25,5 cm. / 244 s.
Udgivelsesår 2014
Indbinding Hardback
Forlag Guggenheim
Antikvarisk
Antal
Køb
ISBN 9780892075140
Lev. 3 dage
ZERO: Countdown to Tomorrow, 1950s–60s is the first large-scale historical survey in the United States dedicated to the German artist group Zero (1957–66). Founded by Heinz Mack and Otto Piene, joined by Günther Uecker in 1961, the group expanded to include ZERO, an international network of like-minded artists who shared the group’s aspiration to redefine art in the aftermath of World War II. Featuring more than 40 artists from 10 countries, the catalogue explores the experimental practices developed by this extensive network of ZERO artists. The publication is organized around points of intersection, exchange, and collaboration that defined these artists’ shared history. Among the themes explored are the establishment of new definitions of painting; the introduction of movement and light as both formal and idea-based aspects of art; the use of space as subject and material; the interrogation of the relationship between nature, technology, and humankind; and the production of live actions or demonstrations. At once a snapshot of a specific group and a portrait of a generation, this title celebrates the pioneering nature of both the art and the transnational vision advanced by the ZERO network.

With contributions by Hillings, Daniel Birnbaum, Edouard Derom, Johan Pas, Dirk Pörschmann, and Margriet Schavemaker