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AGNES MARTIN

AGNES MARTIN

AGNES MARTIN (1912-2004)

Gorgeously quiet in colour and composition, Agnes Martin's paintings have a distinctive grace that sets them apart from those of the Abstract Expressionists of her day and the Minimalist artists she inspired. Martin attributed her grid-based works to metaphysical motivations, lending a serene complexity to her oeuvre that has defied any easy categorization. Perhaps for this reason, critical and scholarly analysis of her paintings has been scarce, until now.

This important new anthology brings together the most current scholarship on Martin's paintings by twelve multidisciplinary essayists who consider various aspects of the artist's four-decade career.Organized by Dia Art Foundation, whose extensive holdings of Martin's paintings and ambitions to support in-depth research on the works are unparalleled, the publication brings renewed focus and energy to Martin's career and her contributions to the art historical narrative

Pris ved	1			375,00 DKK

Emne	Abstrakt ekspressionisme
Kunstner	MARTIN, Agnes
Forfatter	Lynne Cook
Sprog	Engelsk tekst
Illustrationer	74 ill. heraf 64 i s/h og 14 ill. i farver
Format / Sideantal	25 x 19 cm / 240 sider
Udgivelsesår	2011
Indbinding	indbundet
Forlag	Yale University Press
Antikvarisk

Antal

Køb

ISBN	9780300151053
Lev.	3-5 dage

AGNES MARTIN (1912-2004)

Gorgeously quiet in colour and composition, Agnes Martin's paintings have a distinctive grace that sets them apart from those of the Abstract Expressionists of her day and the Minimalist artists she inspired. Martin attributed her grid-based works to metaphysical motivations, lending a serene complexity to her oeuvre that has defied any easy categorization. Perhaps for this reason, critical and scholarly analysis of her paintings has been scarce, until now.

This important new anthology brings together the most current scholarship on Martin's paintings by twelve multidisciplinary essayists who consider various aspects of the artist's four-decade career.Organized by Dia Art Foundation, whose extensive holdings of Martin's paintings and ambitions to support in-depth research on the works are unparalleled, the publication brings renewed focus and energy to Martin's career and her contributions to the art historical narrative