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Baselitz

GEORG BASELITZ ( 1938- )
 

A grand retrospective of works by an artist who rejuvenated our habits of perception

After celebrating its twentieth anniversary with three blockbuster exhibitions in 2017, the Fondation Beyeler is starting the year 2018 with Georg Baselitz—without a doubt one of the most influential painters and sculptors of our time—is celebrating his eightieth birthday, and the Foundation is devoting an extensive retrospective to this provocateur. Many of Baselitz’s most important paintings and sculptures from the past six decades will be seen together for the first time. By displaying key works together, on an equal footing, it becomes easier to perceive the unique wealth of his formal and contextual innovations. Leafing through more than two hundred richly illustrated pages, the reader encounters the beautiful, the ugly, the ambiguous, and the disturbing.

Exhibitions: Fondation Beyeler, Riehen/Basel 2018 and Hirshhorn Museum and Sculpture Garden, Washington D.C. 2018

Pris ved 1Stk 698,00 DKK

Emne Ny-ekspressionisme
Kunstner Georg Baselitz
Forfatter Stéphane Aquin, Rudi Fuchs, Steven Henry Madoff, Eva Mongi-Vollmer, Norman Rosenthal, Carla Schulz-Hoffmann, Martin Schwander, Christian Spies
Sprog Engelsk
Illustrationer 199 ill.
Format / Sideantal 27 x 31 cm. / 268 s.
Udgivelsesår 2018
Indbinding Indbundet
Forlag Hatje Cantz
Antikvarisk
Antal
Køb
ISBN 978-3-7757-4387-7
Lev. 3-5 dage
GEORG BASELITZ ( 1938- )
 

A grand retrospective of works by an artist who rejuvenated our habits of perception

After celebrating its twentieth anniversary with three blockbuster exhibitions in 2017, the Fondation Beyeler is starting the year 2018 with Georg Baselitz—without a doubt one of the most influential painters and sculptors of our time—is celebrating his eightieth birthday, and the Foundation is devoting an extensive retrospective to this provocateur. Many of Baselitz’s most important paintings and sculptures from the past six decades will be seen together for the first time. By displaying key works together, on an equal footing, it becomes easier to perceive the unique wealth of his formal and contextual innovations. Leafing through more than two hundred richly illustrated pages, the reader encounters the beautiful, the ugly, the ambiguous, and the disturbing.

Exhibitions: Fondation Beyeler, Riehen/Basel 2018 and Hirshhorn Museum and Sculpture Garden, Washington D.C. 2018