Hjemmesiden anvender cookies

Denne hjemmeside sætter cookies for at opnå en funktionel side og for at huske dine foretrukne indstillinger. Ved hjælp af cookies laver vi statistikker og analyserer besøg på vores side så vi sikrer, at siden hele tiden forbedres, og at vores markedsføring bliver relevant for dig. Hvis du giver dit samtykke, så tillader du, at vi sætter cookies (enten i form af egne cookies og/eller fra tredjeparter), og at vi behandler de personoplysninger, som indsamles via de cookies. Du kan læse mere om cookies i vores cookiepolitik her hvor du også altid har mulighed for at trække dit samtykke tilbage.

Herunder kan du vælge cookies til eller fra. Navnet på de forskellige typer af cookies fortæller, hvilket formål de tjener.

BRICE MARDEN - Cold Mountain

BRICE MARDEN (1938-2023)

In the early 1980s, American artist Brice Marden broke from his accomplished style and technique of monochrome painting to begin experimenting with new materials and new ways of making art. During this period he became fascinated with ceramics and painting from China and read work by Chinese poets, including the 8th-century hermit Cold Mountain (Han Shan). By the middle of the decade, inspired by forms of Chinese calligraphy, Marden had adapted the format of Han Shan's couplet poetry as a visual principle for his own art. 

Curator Brenda Richardson explores the Cold Mountain works as a synthesis of the abstract and personal in Marden's development. 

 

 

Pris ved 1 598,00 DKK

Emne Nutidskunst
Kunstner MARDEN, Brice
Forfatter RICHARDSON, Brenda
Sprog Engelsk
Illustrationer 109 ill, heraf 81 i farver
Format / Sideantal 26 x 25 cm / 154 sider
Udgivelsesår 2007
Indbinding Indbundet
Forlag Yale University Press/Houston Fine Arts Press
Antikvarisk
Antal
Køb
ISBN 9780300124774
Lev. 3-5 dage

BRICE MARDEN (1938-2023)

In the early 1980s, American artist Brice Marden broke from his accomplished style and technique of monochrome painting to begin experimenting with new materials and new ways of making art. During this period he became fascinated with ceramics and painting from China and read work by Chinese poets, including the 8th-century hermit Cold Mountain (Han Shan). By the middle of the decade, inspired by forms of Chinese calligraphy, Marden had adapted the format of Han Shan's couplet poetry as a visual principle for his own art. 

Curator Brenda Richardson explores the Cold Mountain works as a synthesis of the abstract and personal in Marden's development.