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Franz Marc

Franz Marc

Best known for his paintings of horses, German expressionist Franz Marc (1880–1916) was a painter with a self-consciously intellectual bent, neither as revolutionary as Picasso nor as lyrical as Matisse. This thorough, carefully arranged retrospective (published along with an exhibition at the Lenbachhaus in Munich) traces his development from early pastoral scenes to later cubist-inspired canvases he created while part of the Blue Rider group he founded with Wassily Kandinsky; in the process, this catalogue clarifies the motivations of this very earnest painter. Particularly useful is an essay by Barbara Eschenburg, who sheds light on Marc's interest in Darwin and Nietzsche. Eschenburg shows how Marc's animals—typically embedded in a flat, crystalline-patterned space—represent an intuitive oneness with nature that has been lost to a Western culture obsessed with the individual. Annegret Hoberg provides a handy biographical overview, and Isabelle Jansen's essay explains Marc's attention to Egyptian, Japanese and other "exotic" cultures, considered at the time to represent an unspoiled ideal. With a more complete set of reproductions (including sketches and sculptures) than Mark Lawrence's 1989 study, Franz Marc, and more affordable than the ongoing multivolume Complete Works series, this is an excellent resource for both the scholar or the general reader. (May)
Publishers Weekly
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Pris ved	1	Stk		579,00 DKK

Emne	Ekspresionisme
Kunstner	Franz Marc
Forfatter	Annegret Hoberg, Helmut Friedel
Sprog	Engelsk
Illustrationer	Rigt illustreret
Format / Sideantal	25 c 28,5 cm. / 334 s.
Udgivelsesår	2006
Indbinding	Indbundet
Forlag	Prestel
Antikvarisk

Antal

Køb

ISBN	9783791335780
Lev.	3-5 dage

Best known for his paintings of horses, German expressionist Franz Marc (1880–1916) was a painter with a self-consciously intellectual bent, neither as revolutionary as Picasso nor as lyrical as Matisse. This thorough, carefully arranged retrospective (published along with an exhibition at the Lenbachhaus in Munich) traces his development from early pastoral scenes to later cubist-inspired canvases he created while part of the Blue Rider group he founded with Wassily Kandinsky; in the process, this catalogue clarifies the motivations of this very earnest painter. Particularly useful is an essay by Barbara Eschenburg, who sheds light on Marc's interest in Darwin and Nietzsche. Eschenburg shows how Marc's animals—typically embedded in a flat, crystalline-patterned space—represent an intuitive oneness with nature that has been lost to a Western culture obsessed with the individual. Annegret Hoberg provides a handy biographical overview, and Isabelle Jansen's essay explains Marc's attention to Egyptian, Japanese and other "exotic" cultures, considered at the time to represent an unspoiled ideal. With a more complete set of reproductions (including sketches and sculptures) than Mark Lawrence's 1989 study, Franz Marc, and more affordable than the ongoing multivolume Complete Works series, this is an excellent resource for both the scholar or the general reader. (May)
Publishers Weekly
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.