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HANS ARP. Die Natur Der Dinge

Hans Arp (1886-1966)
German-French sculptor, painter and poet Jean Arp is one of the most important pioneers of twentieth-century nonfigurative art. A founder of the Zurich and Cologne Dada movements, a key Surrealist and Constructivist and later a founder of the Paris Abstraction-Creation movement, he was always at the forefront of his era's evolving avant-gardes. His work was by turns powerful, organic, anthropomorphic, biomorphic, geometric, coincidental and formal, evoking "the natural process of compression, hardening, of coagulation, of thickening, of growing together." In general, Arp preferred not to talk about his abstractions, citing the fact that sculptural forms in nature do not illustrate, but rather paraphrase and produce concrete forms themselves. He did not want to work "according" to nature, but "like" nature. This beautifully produced volume, which documents the complete range of Arp's artistic and poetic oeuvre, is published on the occasion of the opening of Germany's Arp Museum extension, designed by the Pritzker Prize-winning New York architect Richard Meier. The new panel-and-glass Modernist extension is situated high atop a bank of the Rhine River, accessible by an innovative subterranean passageway connected to a monumental elevator that cuts through the heavily wooded hillside below the museum.
 
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Emne Skulptur
Kunstner HANS ARP
Forfatter Isabel Ewig, Klaus Gallwitz, Walburga Krupp
Sprog Engelsk/tysk/fransk
Illustrationer Gennemill. i farver og s/h
Format / Sideantal 22 x 27,5 cm / 236 sider
Udgivelsesår 2007
Indbinding Indbundet (D-3)
Forlag Richter
Antikvarisk
Antal
Køb
ISBN
Lev. 3-5 dage
Hans Arp (1886-1966)
German-French sculptor, painter and poet Jean Arp is one of the most important pioneers of twentieth-century nonfigurative art. A founder of the Zurich and Cologne Dada movements, a key Surrealist and Constructivist and later a founder of the Paris Abstraction-Creation movement, he was always at the forefront of his era's evolving avant-gardes. His work was by turns powerful, organic, anthropomorphic, biomorphic, geometric, coincidental and formal, evoking "the natural process of compression, hardening, of coagulation, of thickening, of growing together." In general, Arp preferred not to talk about his abstractions, citing the fact that sculptural forms in nature do not illustrate, but rather paraphrase and produce concrete forms themselves. He did not want to work "according" to nature, but "like" nature. This beautifully produced volume, which documents the complete range of Arp's artistic and poetic oeuvre, is published on the occasion of the opening of Germany's Arp Museum extension, designed by the Pritzker Prize-winning New York architect Richard Meier. The new panel-and-glass Modernist extension is situated high atop a bank of the Rhine River, accessible by an innovative subterranean passageway connected to a monumental elevator that cuts through the heavily wooded hillside below the museum.