Hjemmesiden anvender cookies

Denne hjemmeside sætter cookies for at opnå en funktionel side og for at huske dine foretrukne indstillinger. Ved hjælp af cookies laver vi statistikker og analyserer besøg på vores side så vi sikrer, at siden hele tiden forbedres, og at vores markedsføring bliver relevant for dig. Hvis du giver dit samtykke, så tillader du, at vi sætter cookies (enten i form af egne cookies og/eller fra tredjeparter), og at vi behandler de personoplysninger, som indsamles via de cookies. Du kan læse mere om cookies i vores cookiepolitik her hvor du også altid har mulighed for at trække dit samtykke tilbage.

Herunder kan du vælge cookies til eller fra. Navnet på de forskellige typer af cookies fortæller, hvilket formål de tjener.

Hans Richter - Encounters

A multifaceted interpretation of Richter’s career as a filmmaker, artist, and writer, examining his pioneering work —with a special emphasis on film—in the context of his collaborations with some of the most important figures in 20th-century art.

Hans Richter was a central figure in the avant-garde for more than 50 years. Born in Berlin in 1888, he joined the Zurich Dada group in 1916 and within a few years was producing some of the first abstract films ever created. In the 1930s he made commercial and propaganda films for both communist and capitalist interests—a phase of his career that has been, until now, little examined. After moving to the United States in 1940, Richter taught at the City College of New York, serving as a mentor to numerous participants in the New American Cinema movement. He worked alongside a virtual “Who’s Who” of the avant-garde, including Arp, Bowles, Cage, Calder, Cocteau, Duchamp, Eisenstein, Ernst, Léger, Lissitzky, Malevich, Mies van der Rohe, Schwitters, and Tzara. This book examines the ways in which these “encounters”—to use Richter’s own term—with other artists engendered creativity, originality, and meaning throughout his career. Including a chronology and Richter’s first complete filmography in English, this volume sheds light on the relationships between modernism’s most experimental artists, movements, and generations.
Pris ved 1Stk 559,00 DKK

Emne Nutidskunst
Kunstner Hans Richter
Forfatter Timothy O. Benson
Sprog Engelsk
Illustrationer 180 s. farver
Format / Sideantal 23 x 27 cm. / 224 s.
Udgivelsesår 2013
Indbinding Hardback
Forlag Lacma Delmonica / Prestel
Antikvarisk
Antal
Køb
ISBN 978-3-7913-5268-8
Lev. 3-5 dage
A multifaceted interpretation of Richter’s career as a filmmaker, artist, and writer, examining his pioneering work —with a special emphasis on film—in the context of his collaborations with some of the most important figures in 20th-century art.

Hans Richter was a central figure in the avant-garde for more than 50 years. Born in Berlin in 1888, he joined the Zurich Dada group in 1916 and within a few years was producing some of the first abstract films ever created. In the 1930s he made commercial and propaganda films for both communist and capitalist interests—a phase of his career that has been, until now, little examined. After moving to the United States in 1940, Richter taught at the City College of New York, serving as a mentor to numerous participants in the New American Cinema movement. He worked alongside a virtual “Who’s Who” of the avant-garde, including Arp, Bowles, Cage, Calder, Cocteau, Duchamp, Eisenstein, Ernst, Léger, Lissitzky, Malevich, Mies van der Rohe, Schwitters, and Tzara. This book examines the ways in which these “encounters”—to use Richter’s own term—with other artists engendered creativity, originality, and meaning throughout his career. Including a chronology and Richter’s first complete filmography in English, this volume sheds light on the relationships between modernism’s most experimental artists, movements, and generations.