Hjemmesiden anvender cookies

Denne hjemmeside sætter cookies for at opnå en funktionel side og for at huske dine foretrukne indstillinger. Ved hjælp af cookies laver vi statistikker og analyserer besøg på vores side så vi sikrer, at siden hele tiden forbedres, og at vores markedsføring bliver relevant for dig. Hvis du giver dit samtykke, så tillader du, at vi sætter cookies (enten i form af egne cookies og/eller fra tredjeparter), og at vi behandler de personoplysninger, som indsamles via de cookies. Du kan læse mere om cookies i vores cookiepolitik her hvor du også altid har mulighed for at trække dit samtykke tilbage.

Herunder kan du vælge cookies til eller fra. Navnet på de forskellige typer af cookies fortæller, hvilket formål de tjener.

Jim Dine - The Hand-Coloured Viennese Hearts 1987-90 (signeret)

Jim Dine (1935-)

Bemærk dette eksemplar er signeret

The Hand-Coloured Viennese Hearts 1987-90 

A Series of Seven Hand-Painted Screenprints with Intaglio

Since the 1950s, Jim Dine’s expansive multimedia practice has spanned painting, drawing, printmaking, sculpture, photography, poetry, and performance. Dine was a pioneering member of the happenings movement alongside artists such as Claes Oldenburg and Allan Kaprow, staging experimental live performances throughout mid-century New York City. His practice later crossed into art movements including Neo-Dada, pop and Neo-Expressionism. Throughout his varied oeuvre, Dine embraced idiosyncratic expressions of autobiographical details; personal totems, such as hearts and robes, became frequent motifs.




 


 
Pris ved 1Stk 350,00 DKK

Emne Nutidskunst
Kunstner Jim Dine
Forfatter
Sprog Engelsk
Illustrationer Gennemillustreret
Format / Sideantal 24 x 30 cm. / 26 s.
Udgivelsesår 1990
Indbinding Hæftet med folie-smudsomslag
Forlag Waddington Graphics / Pace Prints
Antikvarisk
Antal
Køb
ISBN
Lev. 3-5 dage

Jim Dine (1935-)

Bemærk dette eksemplar er signeret

The Hand-Coloured Viennese Hearts 1987-90 

A Series of Seven Hand-Painted Screenprints with Intaglio

Since the 1950s, Jim Dine’s expansive multimedia practice has spanned painting, drawing, printmaking, sculpture, photography, poetry, and performance. Dine was a pioneering member of the happenings movement alongside artists such as Claes Oldenburg and Allan Kaprow, staging experimental live performances throughout mid-century New York City. His practice later crossed into art movements including Neo-Dada, pop and Neo-Expressionism. Throughout his varied oeuvre, Dine embraced idiosyncratic expressions of autobiographical details; personal totems, such as hearts and robes, became frequent motifs.