Hjemmesiden anvender cookies

Denne hjemmeside sætter cookies for at opnå en funktionel side og for at huske dine foretrukne indstillinger. Ved hjælp af cookies laver vi statistikker og analyserer besøg på vores side så vi sikrer, at siden hele tiden forbedres, og at vores markedsføring bliver relevant for dig. Hvis du giver dit samtykke, så tillader du, at vi sætter cookies (enten i form af egne cookies og/eller fra tredjeparter), og at vi behandler de personoplysninger, som indsamles via de cookies. Du kan læse mere om cookies i vores cookiepolitik her hvor du også altid har mulighed for at trække dit samtykke tilbage.

Herunder kan du vælge cookies til eller fra. Navnet på de forskellige typer af cookies fortæller, hvilket formål de tjener.

MARIANNE HESKE

MARIANNE HESKE

MARIANNE HESKE (1946-)

The first monograph of one of Norway’s most important contemporary artists to be published in English. The work of the Norwegian artist Marianne Heske falls outside conventional categories of art. A 1971 visit to Marché aux Puces near the Porte de Montreuil in Paris would prove important for the artist. There, she found a box of papier-maché doll heads with a look reflecting the glamour of early-twentieth-century film stars. These were to become an important metaphor in her artistic development. Heske soon began to create works that involved the dolls—assemblages, photographs, videos, and graphic works—and dolls became a central part of her oeuvre. Includes contributions by leading Norwegian art and literary critics such as Jon Fosse, Ken Friedman, and Frode Helland.

Pris ved	1			350,00 DKK

Emne	Nutidskunst
Kunstner	HESKE, Marianne
Forfatter	Selene Wendt
Sprog	Engelsk tekst
Illustrationer	90 ill. i farver
Format / Sideantal	28 x 24 cm / 120 sider
Udgivelsesår	2011
Indbinding	indbundet
Forlag	skira
Antikvarisk

Antal

Køb

ISBN	9788876247460
Lev.	3-5 dage

MARIANNE HESKE (1946-)

The first monograph of one of Norway’s most important contemporary artists to be published in English. The work of the Norwegian artist Marianne Heske falls outside conventional categories of art. A 1971 visit to Marché aux Puces near the Porte de Montreuil in Paris would prove important for the artist. There, she found a box of papier-maché doll heads with a look reflecting the glamour of early-twentieth-century film stars. These were to become an important metaphor in her artistic development. Heske soon began to create works that involved the dolls—assemblages, photographs, videos, and graphic works—and dolls became a central part of her oeuvre. Includes contributions by leading Norwegian art and literary critics such as Jon Fosse, Ken Friedman, and Frode Helland.