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Maya Lin - Systematic Landscapes

Maya Lin (1959-)
 

A dramatic installation of major new works by this renowned contemporary artist and architect. The exhibitionaddresses contemporary ideas about landscape and geologic phenomena.  Lin’s second nationally-traveling exhibition in 10 years, Systematic Landscapes explores how people perceive and experience the landscape in a time of heightened technological influence and environmental awareness.

Maya Lin came to prominence in 1981 with her design for the Vietnam Veterans Memorial in Washington, D.C. and has since achieved a high degree of recognition for a body of work that includes monuments, buildings, earthworks, sculpture and installations.  Traversing Lin’s constructed landscapes in this exhibition—moving around, under, and through them—we encounter a world that has been mapped, digitized, analyzed, and then reintroduced by Lin as actual, physical structures.  Her work blends a typology of natural forms, from rivers to mountains to seas, with a visual language of scientific analysis represented by grids, models, and maps.  In doing so, Lin merges an understanding of the ideal and the real, encouraging an encounter with conceptual, sculptural and architectural modeling.

Pris ved 1Stk 498,00 DKK

Emne Installationskunst
Kunstner Maya Lin
Forfatter Richard Andrews, John Beardsley
Sprog Engelsk
Illustrationer
Format / Sideantal 27 x 27 cm. / 112 s.
Udgivelsesår 2006
Indbinding Indbundet
Forlag Yale Press
Antikvarisk
Antal
Køb
ISBN 978-0300121209
Lev. 14 dage
Maya Lin (1959-)
 

A dramatic installation of major new works by this renowned contemporary artist and architect. The exhibitionaddresses contemporary ideas about landscape and geologic phenomena.  Lin’s second nationally-traveling exhibition in 10 years, Systematic Landscapes explores how people perceive and experience the landscape in a time of heightened technological influence and environmental awareness.

Maya Lin came to prominence in 1981 with her design for the Vietnam Veterans Memorial in Washington, D.C. and has since achieved a high degree of recognition for a body of work that includes monuments, buildings, earthworks, sculpture and installations.  Traversing Lin’s constructed landscapes in this exhibition—moving around, under, and through them—we encounter a world that has been mapped, digitized, analyzed, and then reintroduced by Lin as actual, physical structures.  Her work blends a typology of natural forms, from rivers to mountains to seas, with a visual language of scientific analysis represented by grids, models, and maps.  In doing so, Lin merges an understanding of the ideal and the real, encouraging an encounter with conceptual, sculptural and architectural modeling.