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PETER SAUL

PETER SAUL (1934-)

»Hey, why shouldn’t a painting be as bright as a photo?« Peter Saul

Inspired to a creative breakthrough by a copy of MAD magazine, promoted by the Surrealist Roberto Matta, and discovered in Paris, American artist Peter Saul (*1934 in San Francisco) has created often difficult, funny, and trenchant works—“sick jokes” according to Robert Storr. Presaging Paul McCarthy and Mike Kelley and exerting noticeable influence on artists such as Barry McGee and Ed Templeton, Saul’s works are long overdue for a more in-depth reevaluation.

This publication provides the first comprehensive overview of five decades of Peter Saul’s paintings. It features numerous works from the early sixties to the present, including several “icebox” paintings, some of his epic historical canvases, and his homages to Thomas Hart Benton. The painter’s works poke fun at the art world’s “sacred cows,” painfully demonstrate the multiple psychic hazards of being an aging American male, and address current political affairs.

Exhibition schedule: Orange County Museum of Art, Newport Beach, June 22–September 21, 2008  · Pennsylvania Academy of Fine Arts, Philadelphia, October 18, 2008–January 4, 2009

Texts by Dan Cameron, Michael Duncan, interview with the artist by Robert Storr.

Pris ved 1 400,00 DKK

Emne Nutidskunst
Kunstner SAUL, Peter
Forfatter Dan Cameron, Michael Duncan
Sprog Engelsk tekst
Illustrationer 96 ill, heraf 94 i farver
Format / Sideantal 28 x 25 cm / 160 sider
Udgivelsesår 2008
Indbinding Indbundet
Forlag Hatje Cantz Publishers
Antikvarisk
Antal
Køb
ISBN 9783775722049
Lev. 3-5 dage

PETER SAUL (1934-)

»Hey, why shouldn’t a painting be as bright as a photo?« Peter Saul

Inspired to a creative breakthrough by a copy of MAD magazine, promoted by the Surrealist Roberto Matta, and discovered in Paris, American artist Peter Saul (*1934 in San Francisco) has created often difficult, funny, and trenchant works—“sick jokes” according to Robert Storr. Presaging Paul McCarthy and Mike Kelley and exerting noticeable influence on artists such as Barry McGee and Ed Templeton, Saul’s works are long overdue for a more in-depth reevaluation.

This publication provides the first comprehensive overview of five decades of Peter Saul’s paintings. It features numerous works from the early sixties to the present, including several “icebox” paintings, some of his epic historical canvases, and his homages to Thomas Hart Benton. The painter’s works poke fun at the art world’s “sacred cows,” painfully demonstrate the multiple psychic hazards of being an aging American male, and address current political affairs.

Exhibition schedule: Orange County Museum of Art, Newport Beach, June 22–September 21, 2008  · Pennsylvania Academy of Fine Arts, Philadelphia, October 18, 2008–January 4, 2009

Texts by Dan Cameron, Michael Duncan, interview with the artist by Robert Storr.