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PURE BEAUTY

JOHN BALDESSARI (1931-)

"I am interested in what gets us to stop and look, as opposed to simply consuming images passively."

A quietly towering figure in contemporary art, John Baldessari is widely considered one of the most influential artists to emerge since the mid-1960s. For nearly five decades his prolific and highly varied work has challenged our ways of looking at art, images, and text. A renowned teacher as well, first at California Institute of the Arts and later at UCLA, he has had an important impact on the practice of subsequent generations of media savvy artists. From his early text-and-image paintings to the more recent photocollages and installations, Baldessari has continued to make art that addresses the social impact of mass culture, often playfully, and always with a sly profundity. His lifelong exploration of the gap between the verbal and the visual has probed the very nature of communication and perception.

John Baldessari: Pure Beauty, the most comprehensive volume to date on this legendary California artist, features more than 240 illustrations. Eleven insightful essays, by critics, curators, art historians, and an artist and former student, illuminate many aspects of Baldessari's oeuvre and provide a context for the artists extraordinary contribution to twentieth and twenty-first century art. Few contemporary artists have achieved Baldessari's range and relevance and this stunning volume, with its expansive reproductions and substantial text, provides the definitive look at an artist who has engagingly challenged our very ways of seeing.

Edited by Leslie Jones and Jessica Morgan and with contributions by Marie de Brugerolle, Bice Curiger, Douglas Eklund, Russell Ferguson, Rainer Fuchs, Tim Griffin, Friedrich Meschede, David Salle and John C. Welchman

Jessica Morgan is Curator of Contemporary art, Tate Modern, London.

Leslie Jones is Associate Curator of Prints and Drawings at the Los Angeles County Museum of Art.

Marie de Brugerolle is former curator at Musée National d'Art Moderne, Centre Pompidou, and Magasin, Centre National d'Art Contemporain, Grenoble.

Bice Curiger is Editor-in-Chief of Parkett, and Curator at the Kunsthaus Zurich. She is also Editorial Director of the art magazine Tate Etc.

Douglas Eklund is Associate Curator in the Department of Photographs at the Metropolitan Museum of Art, New York.

Rainer Fuchs is Vice Director and Chief Curator at the Museum Moderner Kunst Stiftung Ludwig Wien.

Tim Griffin is Editor of Artforum International.

Friedrich Meschede, an art historian, is Head of Temporary Exhibitions at Museu d'Art Contemporani de Barcelona.

David Salle is a painter living in New York.

John C. Welchman is Professor of Art History and Theory at the University of California, San Diego.

Pris ved 1 479,00 DKK

Emne Konceptkunst
Kunstner BALDESSARI, John
Forfatter
Sprog Engelsk tekst
Illustrationer 400 ill, heraf de fleste i farver
Format / Sideantal 30 x 25 cm / 336 sider
Udgivelsesår 2009
Indbinding Hæftet
Forlag Tate
Antikvarisk
Antal
Køb
ISBN 9781854378224
Lev. 3 dage

JOHN BALDESSARI (1931-)

"I am interested in what gets us to stop and look, as opposed to simply consuming images passively."

A quietly towering figure in contemporary art, John Baldessari is widely considered one of the most influential artists to emerge since the mid-1960s. For nearly five decades his prolific and highly varied work has challenged our ways of looking at art, images, and text. A renowned teacher as well, first at California Institute of the Arts and later at UCLA, he has had an important impact on the practice of subsequent generations of media savvy artists. From his early text-and-image paintings to the more recent photocollages and installations, Baldessari has continued to make art that addresses the social impact of mass culture, often playfully, and always with a sly profundity. His lifelong exploration of the gap between the verbal and the visual has probed the very nature of communication and perception.

John Baldessari: Pure Beauty, the most comprehensive volume to date on this legendary California artist, features more than 240 illustrations. Eleven insightful essays, by critics, curators, art historians, and an artist and former student, illuminate many aspects of Baldessari's oeuvre and provide a context for the artists extraordinary contribution to twentieth and twenty-first century art. Few contemporary artists have achieved Baldessari's range and relevance and this stunning volume, with its expansive reproductions and substantial text, provides the definitive look at an artist who has engagingly challenged our very ways of seeing.

Edited by Leslie Jones and Jessica Morgan and with contributions by Marie de Brugerolle, Bice Curiger, Douglas Eklund, Russell Ferguson, Rainer Fuchs, Tim Griffin, Friedrich Meschede, David Salle and John C. Welchman

Jessica Morgan is Curator of Contemporary art, Tate Modern, London.

Leslie Jones is Associate Curator of Prints and Drawings at the Los Angeles County Museum of Art.

Marie de Brugerolle is former curator at Musée National d'Art Moderne, Centre Pompidou, and Magasin, Centre National d'Art Contemporain, Grenoble.

Bice Curiger is Editor-in-Chief of Parkett, and Curator at the Kunsthaus Zurich. She is also Editorial Director of the art magazine Tate Etc.

Douglas Eklund is Associate Curator in the Department of Photographs at the Metropolitan Museum of Art, New York.

Rainer Fuchs is Vice Director and Chief Curator at the Museum Moderner Kunst Stiftung Ludwig Wien.

Tim Griffin is Editor of Artforum International.

Friedrich Meschede, an art historian, is Head of Temporary Exhibitions at Museu d'Art Contemporani de Barcelona.

David Salle is a painter living in New York.

John C. Welchman is Professor of Art History and Theory at the University of California, San Diego.