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BLIND LANDSCAPE

TERESITA FERNANDEZ (1968-) 

Teresita Fernández is known for her deft ability to transform common materials and processes into dazzling cinematic illusions.

Her immersive installations and evocative large-scale sculptures blend abstraction, reflection, and transparency into potent configurations of projection and play.

Nature and perception are the schematic sources for Fernández’s picturesque materializations. Clouds, trees, water, and fire – in patterned formations of polished stainless steel, glass, plastic, and thread – double as screens, mirrors, and lenses, and vacillate between object and optical phenomena.

Much like shadows or ghosts, Fernández’s doubled forms reside in the folds and margins of perception – a tangled overlay of absence and presence, nature and artifice, subject and object.

In 2005, Fernández was awarded the prestigious MacArthur Fellowship. Published in collaboration with the Institute for Research in Art, University of South Florida, Tampa

Forfattere: Annette Carlozzi, Dave Hickey, Anne Stringfield, Gregory Volk, David Louis Norr.

Pris ved 1 399,00 DKK

Emne Skulptur
Kunstner FERNANDEZ, Teresita
Forfatter
Sprog Engelsk tekst
Illustrationer 100 ill. i farver
Format / Sideantal 28 x 23 cm / 160 sider
Udgivelsesår 2009
Indbinding Hæftet
Forlag jrp/Ringier
Antikvarisk
Antal
Køb
ISBN 9783037640494
Lev. 3 dage

TERESITA FERNANDEZ (1968-) 

Teresita Fernández is known for her deft ability to transform common materials and processes into dazzling cinematic illusions.

Her immersive installations and evocative large-scale sculptures blend abstraction, reflection, and transparency into potent configurations of projection and play.

Nature and perception are the schematic sources for Fernández’s picturesque materializations. Clouds, trees, water, and fire – in patterned formations of polished stainless steel, glass, plastic, and thread – double as screens, mirrors, and lenses, and vacillate between object and optical phenomena.

Much like shadows or ghosts, Fernández’s doubled forms reside in the folds and margins of perception – a tangled overlay of absence and presence, nature and artifice, subject and object.

In 2005, Fernández was awarded the prestigious MacArthur Fellowship. Published in collaboration with the Institute for Research in Art, University of South Florida, Tampa

Forfattere: Annette Carlozzi, Dave Hickey, Anne Stringfield, Gregory Volk, David Louis Norr.