MICHAEL KENNA (1953-)
For over thirty five years, British born Michael Kenna has been looking at landscapes in ways quite out of the ordinary. His mysterious photographs, often made at dawn or in the dark hours of night, concentrate primarily on the interaction between the ephemeral atmospheric conditions of the natural landscape, and human-made structures and sculptural mass. Kenna is both a diurnal and nocturnal photographer, fascinated by times of day when light is at its most pliant. Using non digital equipment, his night time exposures can last up to ten hours, and his photographs often record details that the human eye is not able to perceive.
Kenna’s intimate, exquisitely hand crafted black and white photographic prints reflect a sense of refinement, respect for history, and thorough originality. They have been exhibited in numerous galleries and museums throughout the world and are included in such permanent collections as The National Gallery, Washington, D.C.; The Bibliotheque Nationale, Paris; The Shanghai Art Museum; and The Victoria and Albert Museum, London. Over forty books and catalogs have been published on Kenna's work.
Photographs, (1988-2000), from Nazi concentration and extermination camps in Europe.
Auschwitz, Poland
Belzec, Poland
Bergen-Belsen, Germany
Birkenau, Poland
Breendonk, Belgium
Buchenwald, Germany
Chelmno, Poland
Dachau, Germany
Emsland, Germany
Flossenburg, Germany
Gross-Rosen, Poland
Gusen, Austria
Majdanek, Poland
Mauthausen, Austria
Mittlebau-Dora, Germany
Natzweiler, France
Neuengamme, Germany
Plaszow, Poland
Ravensbruck, Germany
Sachsenhausen, Germany
Salaspils, Latvia
San Sabba, Italy
Sobibor, Poland
Stutthof, Poland
Theresiendstadt, Czech Republic
Treblinka, Poland
Vught, Holland
Westerbork, Holland
