Hjemmesiden anvender cookies

Denne hjemmeside sætter cookies for at opnå en funktionel side og for at huske dine foretrukne indstillinger. Ved hjælp af cookies laver vi statistikker og analyserer besøg på vores side så vi sikrer, at siden hele tiden forbedres, og at vores markedsføring bliver relevant for dig. Hvis du giver dit samtykke, så tillader du, at vi sætter cookies (enten i form af egne cookies og/eller fra tredjeparter), og at vi behandler de personoplysninger, som indsamles via de cookies. Du kan læse mere om cookies i vores cookiepolitik her hvor du også altid har mulighed for at trække dit samtykke tilbage.

Herunder kan du vælge cookies til eller fra. Navnet på de forskellige typer af cookies fortæller, hvilket formål de tjener.

THORNTON DIAL - Image of the Tiger

THORNTON DIAL (1928-2016)
A former Alabama steel worker, Dial "made things" without acclaim for the first 60 years of his life. Since his "discovery," the self-taught African American artist has gained international attention. The tiger symbolizes both Dial and the African American male. It acts as protagonist in highly sculptural paintings constructed from found objects, scraps of carpeting, rope, and Bondo. Though the paintings are nearly abstract, close examination reveals a complex narration among the vivid colors, energetic lines, and bold design. McEvilley and Baraka do a good job of explaining the meaning of "outsider art" like Dial's, and through comparisons with figures in conventional art history they validate his work. Enhanced by the fiercely political prose of Baraka and direct quotes from the artist, this book can have an impact in all kinds of libraries. Recommended.
Pris ved 1Stk 500,00 DKK

Emne
Kunstner THORNTON DIAL
Forfatter Diverse
Sprog Engelsk
Illustrationer 128 ill, heraf 122 i farver
Format / Sideantal 24 x 30 cm / 160 sider
Udgivelsesår 1993
Indbinding Indbundet (D-3)
Forlag Abrams
Antikvarisk
Antal
Køb
ISBN
Lev. 14 dage
THORNTON DIAL (1928-2016)
A former Alabama steel worker, Dial "made things" without acclaim for the first 60 years of his life. Since his "discovery," the self-taught African American artist has gained international attention. The tiger symbolizes both Dial and the African American male. It acts as protagonist in highly sculptural paintings constructed from found objects, scraps of carpeting, rope, and Bondo. Though the paintings are nearly abstract, close examination reveals a complex narration among the vivid colors, energetic lines, and bold design. McEvilley and Baraka do a good job of explaining the meaning of "outsider art" like Dial's, and through comparisons with figures in conventional art history they validate his work. Enhanced by the fiercely political prose of Baraka and direct quotes from the artist, this book can have an impact in all kinds of libraries. Recommended.