Hjemmesiden anvender cookies

Denne hjemmeside sætter cookies for at opnå en funktionel side og for at huske dine foretrukne indstillinger. Ved hjælp af cookies laver vi statistikker og analyserer besøg på vores side så vi sikrer, at siden hele tiden forbedres, og at vores markedsføring bliver relevant for dig. Hvis du giver dit samtykke, så tillader du, at vi sætter cookies (enten i form af egne cookies og/eller fra tredjeparter), og at vi behandler de personoplysninger, som indsamles via de cookies. Du kan læse mere om cookies i vores cookiepolitik her hvor du også altid har mulighed for at trække dit samtykke tilbage.

Herunder kan du vælge cookies til eller fra. Navnet på de forskellige typer af cookies fortæller, hvilket formål de tjener.

A WORLD OF BRACELETS - Africa, Asia, Oceania From the Ghysels Collection.

The Ghysels collection of ethnic jewellers is one of the world's largest and most comprehensive. It is the culmination of passionate quest of over fourth years for aesthetic beauty and authenticity. As such, it represents an invaluable repository of research, taste and discernment. We enthusiastically pursue our journey through the twists and turns of the Ghysels' wealth of adornments. After having explored the universe of rings and earrings in two prior books in this series, we now have the pleasure of discovering the universe of bracelets. These mainly unpublished braceletes--about 1200 of them--have been chosen piece by piece with great love and exquisite taste. They form a group of exceptional quality that displays a great variety of forms. The creativity of Colette Ghysels' layouts and the quality of Mauro Magliani's photographs add to our visual pleasure.

From the standpoint of their shapes, many ethnic bracelets straddle the border area between two worlds: that of prehistory, where the traditions of some ethnic groups have been kept alive into the 20th century, and that of jewelry created by contemporary artists.

Just as with rings and earrings, bracelets and anklets punctuate the phases of one's life. Small rings, which tinkle with the least movement, preserve children from evil spirits in the Near East. All self-respecting Jewish brides from Sana'a wear several pairs of bracelets with gossamer filigree. In order to ensure abundant progeny, A Bengal bride will be given a bracelet made from a shell. A flat ivory bracelet rewards a Sudanese elephant hunter of the Dinka tribe for his bravery. And, when undertaking their final journal, both men and women surround themselves one last time with bracelets, such as the jade ones found in Chinese tombs.

the author guides us on a continent-by-continent tour, explaining the historic and cultural contexts in which these ethnic bracelets originated. Captions inform us of materials, dimensions and uses. A glossary of technical terms, maps and an index round off the descriptive information.

The Ghysels collection of ethnic jewellers is one of the world's largest and most comprehensive. It is the culmination of passionate quest of over fourth years for aesthetic beauty and authenticity. As such, it represents an invaluable repository of research, taste and discernment. We enthusiastically pursue our journey through the twists and turns of the Ghysels' wealth of adornments. After having explored the universe of rings and earrings in two prior books in this series, we now have the pleasure of discovering the universe of bracelets. These mainly unpublished braceletes--about 1200 of them--have been chosen piece by piece with great love and exquisite taste. They form a group of exceptional quality that displays a great variety of forms. The creativity of Colette Ghysels' layouts and the quality of Mauro Magliani's photographs add to our visual pleasure.

From the standpoint of their shapes, many ethnic bracelets straddle the border area between two worlds: that of prehistory, where the traditions of some ethnic groups have been kept alive into the 20th century, and that of jewelry created by contemporary artists.

Just as with rings and earrings, bracelets and anklets punctuate the phases of one's life. Small rings, which tinkle with the least movement, preserve children from evil spirits in the Near East. All self-respecting Jewish brides from Sana'a wear several pairs of bracelets with gossamer filigree. In order to ensure abundant progeny, A Bengal bride will be given a bracelet made from a shell. A flat ivory bracelet rewards a Sudanese elephant hunter of the Dinka tribe for his bravery. And, when undertaking their final journal, both men and women surround themselves one last time with bracelets, such as the jade ones found in Chinese tombs.

the author guides us on a continent-by-continent tour, explaining the historic and cultural contexts in which these ethnic bracelets originated. Captions inform us of materials, dimensions and uses. A glossary of technical terms, maps and an index round off the descriptive information.

Pris ved 1Stk 975,00 DKK

Emne Smykker
Kunstner
Forfatter Anne van Cutsem
Sprog Engelsk
Illustrationer Gennemill. i farver
Format / Sideantal 24 x 28 cm / 378 sider
Udgivelsesår 2002
Indbinding Indbundet (D-21)
Forlag Skira
Antikvarisk
Antal
Køb
ISBN
Lev. 3-5 dage

The Ghysels collection of ethnic jewellers is one of the world's largest and most comprehensive. It is the culmination of passionate quest of over fourth years for aesthetic beauty and authenticity. As such, it represents an invaluable repository of research, taste and discernment. We enthusiastically pursue our journey through the twists and turns of the Ghysels' wealth of adornments. After having explored the universe of rings and earrings in two prior books in this series, we now have the pleasure of discovering the universe of bracelets. These mainly unpublished braceletes--about 1200 of them--have been chosen piece by piece with great love and exquisite taste. They form a group of exceptional quality that displays a great variety of forms. The creativity of Colette Ghysels' layouts and the quality of Mauro Magliani's photographs add to our visual pleasure.

From the standpoint of their shapes, many ethnic bracelets straddle the border area between two worlds: that of prehistory, where the traditions of some ethnic groups have been kept alive into the 20th century, and that of jewelry created by contemporary artists.

Just as with rings and earrings, bracelets and anklets punctuate the phases of one's life. Small rings, which tinkle with the least movement, preserve children from evil spirits in the Near East. All self-respecting Jewish brides from Sana'a wear several pairs of bracelets with gossamer filigree. In order to ensure abundant progeny, A Bengal bride will be given a bracelet made from a shell. A flat ivory bracelet rewards a Sudanese elephant hunter of the Dinka tribe for his bravery. And, when undertaking their final journal, both men and women surround themselves one last time with bracelets, such as the jade ones found in Chinese tombs.

the author guides us on a continent-by-continent tour, explaining the historic and cultural contexts in which these ethnic bracelets originated. Captions inform us of materials, dimensions and uses. A glossary of technical terms, maps and an index round off the descriptive information.

The Ghysels collection of ethnic jewellers is one of the world's largest and most comprehensive. It is the culmination of passionate quest of over fourth years for aesthetic beauty and authenticity. As such, it represents an invaluable repository of research, taste and discernment. We enthusiastically pursue our journey through the twists and turns of the Ghysels' wealth of adornments. After having explored the universe of rings and earrings in two prior books in this series, we now have the pleasure of discovering the universe of bracelets. These mainly unpublished braceletes--about 1200 of them--have been chosen piece by piece with great love and exquisite taste. They form a group of exceptional quality that displays a great variety of forms. The creativity of Colette Ghysels' layouts and the quality of Mauro Magliani's photographs add to our visual pleasure.

From the standpoint of their shapes, many ethnic bracelets straddle the border area between two worlds: that of prehistory, where the traditions of some ethnic groups have been kept alive into the 20th century, and that of jewelry created by contemporary artists.

Just as with rings and earrings, bracelets and anklets punctuate the phases of one's life. Small rings, which tinkle with the least movement, preserve children from evil spirits in the Near East. All self-respecting Jewish brides from Sana'a wear several pairs of bracelets with gossamer filigree. In order to ensure abundant progeny, A Bengal bride will be given a bracelet made from a shell. A flat ivory bracelet rewards a Sudanese elephant hunter of the Dinka tribe for his bravery. And, when undertaking their final journal, both men and women surround themselves one last time with bracelets, such as the jade ones found in Chinese tombs.

the author guides us on a continent-by-continent tour, explaining the historic and cultural contexts in which these ethnic bracelets originated. Captions inform us of materials, dimensions and uses. A glossary of technical terms, maps and an index round off the descriptive information.