ANTHONY CARO - A Life in Sculpture

ANTHONY CARO (1924-2013)

Anthony Caro is widely regarded as 'Britain's greatest living sculptor' (The Guardian, 2003) and has enjoyed an international reputation since the early 1960s. This publication accompanies a major retrospective exhibition of Caro's work at Tate Britain in January 2005. Caro studied at Regent Street Polytechnic and the Royal Academy Schools, before working as Henry Moore's assistant between 1951 and 1953. His work changed radically following a visit to America in 1959, when he met the sculptor David Smith, the painter Kenneth Noland and the critic Clement Greenberg. In 1960 he began making purely abstract sculptures constructed and welded in steel, comprising beams, girders and other found elements painted in bright colours. 'I think my big break in 1960 was in challenging the pedestal, killing statuary, bringing sculpture into our lived-in space', Caro wrote. The exhibition of these works at the Whitechapel Gallery in 1963, caused a sensation and heralded a revolution in sculpture. Within a short period, conventional ideas about materials, method, surface, scale, form and space were overturned by his radical reworking of all these elements. This recognition was parallel
       
 

Paul Moorhouse is Curator, Tate Collection and the author of numerous publications on contemporary British art including Bridget Riley; Leon Kossoff; Richard Long: Walking the Line; and Anthony Caro: Sculpture Towards Architecture. Dave Hickey is Professor of Art Theory at the University of Nevada, Las Vegas, a curator and widely published critic. He is the author of Air Guitar: Art and Democracy and The Invisible Dragon: Four Essays on Beauty. Michael Fried is Herbert Boone Professor of Humanities at The John Hopkins University and has been a leading American critic for over thirty years. His publications include Absorption and Theatricality: Painting and Beholder in the Age of Diderot; Art and Objecthood; Manet's Modernism and Courbet's Realism.