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ANTHONY CARO - Leaf Pool / Skulptur i pap

ANTHONY CARO - Leaf Pool / Skulptur i pap

Anthony Caro (1924-2013)

Leaf Pool, circa 1996-2000 - 2000, signed and numbered from the edition of 500 in pencil, published by Bernard Jacobson Gallery, London, overall 30 x 60 x 9 cm.

Sign. Caro, 139/500. Vægskulptur i pap. I original box. 30×60 cm.

Anthony Caro’s Leaf Pool (1996/2000) is the result of a collaboration between the sculptor and the award-winning designer and paper-engineer David Pelham.
cardboard fold-out multiple, 1996-2000, signed in silver ink, numbered 139/500, with the original heavy grey cardboard slipcase, with the title and names of the artist and designer in white on the cover and spine
300 x 600 mm. (multiple), 310 x 300 mm. (slipcase)

Pioneering sculptor Anthony Caro explored the possibilities of three-dimensional abstraction. Throughout the post-war period, he made radical shifts away from the dominant forms and disciplines of his day. For example, Caro eliminated plinths from his practice and placed his sculptures directly on the floor. He constructed his large-scale pieces from materials such as rope, wood, lead, and—most famously—rusted steel. On occasion, he used found objects including buoys, chains, and railroad ties. Caro’s work often blurred the lines between architecture and art. The artist was enormously influential, and his work has been exhibited at institutions including Tate Britain, the Museum of Modern Art, the Metropolitan Museum of Art, the Seoul Museum of Art, the National Gallery in London, and the Museum of Contemporary Art Tokyo. Caro’s sculptures have fetched seven figures on the secondary market.

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Anthony Caro (1924-2013)

Leaf Pool, circa 1996-2000 - 2000, signed and numbered from the edition of 500 in pencil, published by Bernard Jacobson Gallery, London, overall 30 x 60 x 9 cm.

Sign. Caro, 139/500. Vægskulptur i pap. I original box. 30×60 cm.

Anthony Caro’s Leaf Pool (1996/2000) is the result of a collaboration between the sculptor and the award-winning designer and paper-engineer David Pelham.
cardboard fold-out multiple, 1996-2000, signed in silver ink, numbered 139/500, with the original heavy grey cardboard slipcase, with the title and names of the artist and designer in white on the cover and spine
300 x 600 mm. (multiple), 310 x 300 mm. (slipcase)

Pioneering sculptor Anthony Caro explored the possibilities of three-dimensional abstraction. Throughout the post-war period, he made radical shifts away from the dominant forms and disciplines of his day. For example, Caro eliminated plinths from his practice and placed his sculptures directly on the floor. He constructed his large-scale pieces from materials such as rope, wood, lead, and—most famously—rusted steel. On occasion, he used found objects including buoys, chains, and railroad ties. Caro’s work often blurred the lines between architecture and art. The artist was enormously influential, and his work has been exhibited at institutions including Tate Britain, the Museum of Modern Art, the Metropolitan Museum of Art, the Seoul Museum of Art, the National Gallery in London, and the Museum of Contemporary Art Tokyo. Caro’s sculptures have fetched seven figures on the secondary market.