Hjemmesiden anvender cookies

Denne hjemmeside sætter cookies for at opnå en funktionel side og for at huske dine foretrukne indstillinger. Ved hjælp af cookies laver vi statistikker og analyserer besøg på vores side så vi sikrer, at siden hele tiden forbedres, og at vores markedsføring bliver relevant for dig. Hvis du giver dit samtykke, så tillader du, at vi sætter cookies (enten i form af egne cookies og/eller fra tredjeparter), og at vi behandler de personoplysninger, som indsamles via de cookies. Du kan læse mere om cookies i vores cookiepolitik her hvor du også altid har mulighed for at trække dit samtykke tilbage.

Herunder kan du vælge cookies til eller fra. Navnet på de forskellige typer af cookies fortæller, hvilket formål de tjener.

ANTONY GORMLEY. BLIND LIGHT

ANTONY GORMLEY (1950-)

Antony Gormley is widely recognised as one of the most imaginative and original artists working in the UK today. This richly illustrated book accompanies The Hayward exhibition, the artist’s first major showing in London in over 25 years. Since the 1980s Gormley has focused consistently on the human figure, often using his own body as the starting point for works that explore our perception of space, architecture, and bodily presence. Alongside specially commissioned photography of Gormley’s major new projects, the book includes an original visual essay by the artist that elaborates his aesthetic preoccupations with images selected from his own photographic archive.

Pris ved 1 448,00 DKK

Emne Skulptur
Kunstner GORMLEY, Antony
Forfatter W.J.T. Mitchell, Anthony Vidler & Susan Stewart
Sprog Engelsk tekst
Illustrationer Gennemill i farver
Format / Sideantal 28 x 22 cm / 152 sider
Udgivelsesår 2007
Indbinding Indbundet
Forlag Hayward
Antikvarisk
Antal
Køb
ISBN 9781853322587
Lev. 3 dage

ANTONY GORMLEY (1950-)

Antony Gormley is widely recognised as one of the most imaginative and original artists working in the UK today. This richly illustrated book accompanies The Hayward exhibition, the artist’s first major showing in London in over 25 years. Since the 1980s Gormley has focused consistently on the human figure, often using his own body as the starting point for works that explore our perception of space, architecture, and bodily presence. Alongside specially commissioned photography of Gormley’s major new projects, the book includes an original visual essay by the artist that elaborates his aesthetic preoccupations with images selected from his own photographic archive.