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G. TUZINA (Lenbachhaus Mûnchen)

GÜNTER TUZINA (1951 - )

Erschienen anlässlich der Ausstellung »G. Tuzina« in der Städtischen Galerie im Lenbachhaus, München, 24. März–9. Mai 1993

Günter Tuzina, born in 1951 in Hamburg, lives and works in Berlin.
"Tuzina started off as a draughtsman. His wall-piece of 1976, although painted, is more a drawing than a painting and in the context of what immediately followed may certainly be seen as a manifesto. When he says the line is an expression of the intellect, it is not an empty phrase but sums up the essence of drawing, as many artists have done before him. Way back in the Renaissance, when drawing first developed into an autonomous genre, 'disegno' was not just a craft but also the intellectual conception of a work. Tuzina's work not only reflects the obvious reaction to the directly preceding generation: it was also inspired by the Italian Renaissance. He was especially fascinated by the natural proportions of Brunelleschi's and Alberti's architecture that can directly be 'read' from their buildings."
— Franz W. Kaiser in G. Tuzina, Gemeentemuseum Den Haag, 2002

 
Pris ved 1Stk 450,00 DKK

Emne Tysk kunst
Kunstner GÜNTHER TUZINA
Forfatter Helmut Friedel og Heinz Schütz
Sprog Tysk
Illustrationer 189 ill, heraf 85 i farver
Format / Sideantal 23 x 30 cm. / 104 sider
Udgivelsesår 1993
Indbinding Indbundet + kassette (D-3)
Forlag Fred Jahn og Lehnbachhaus München
Antikvarisk
Antal
Køb
ISBN
Lev. 3-5 dage
GÜNTER TUZINA (1951 - )

Erschienen anlässlich der Ausstellung »G. Tuzina« in der Städtischen Galerie im Lenbachhaus, München, 24. März–9. Mai 1993

Günter Tuzina, born in 1951 in Hamburg, lives and works in Berlin.
"Tuzina started off as a draughtsman. His wall-piece of 1976, although painted, is more a drawing than a painting and in the context of what immediately followed may certainly be seen as a manifesto. When he says the line is an expression of the intellect, it is not an empty phrase but sums up the essence of drawing, as many artists have done before him. Way back in the Renaissance, when drawing first developed into an autonomous genre, 'disegno' was not just a craft but also the intellectual conception of a work. Tuzina's work not only reflects the obvious reaction to the directly preceding generation: it was also inspired by the Italian Renaissance. He was especially fascinated by the natural proportions of Brunelleschi's and Alberti's architecture that can directly be 'read' from their buildings."
— Franz W. Kaiser in G. Tuzina, Gemeentemuseum Den Haag, 2002