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GINO SEVERINI - The Dance 1909-1916

GINO SEVERINI - The Dance 1909-1916

GINO SEVERINI (1883-1966)

This is the catalogue of the exhibition at the Guggenheim Collection in Venice devoted to a 20th-century avant garde master on one of his favorite subjects: the dance. Between 1910 and 1915 Gino Severini was a central figure of Italian Futurism, the movement that celebrated the modern by giving expression to contemporary theories about sensory perception of the new urban and industrial environments. As a resident of Paris, Severini served as an intermediary between Futurists in Italy and the Parisian avant-garde, especially his friends among the Cubist painters. Above all other art movements, the dance excited Severini's imagination as a painter during his Futurist period. The dancing figure was for him the icon of modernity, a metaphor of dynamism, and the door of perception through which he invited viewers to enter a world built on rhythm observed with intense involvement.The volume charts a pictorial journey to the limits of abstract art: fifty paintings

Pris ved	1	Stk		600,00 DKK

Emne	Futurisme
Kunstner	GINO SEVERINI
Forfatter	Daniela Fonti
Sprog	Engelsk
Illustrationer	157 ill, heraf 107 i farver
Format / Sideantal	24,5 x 28,5 cm / 240 sider
Udgivelsesår	2002
Indbinding	Indbundet (D-3)
Forlag	Skira
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GINO SEVERINI (1883-1966)

This is the catalogue of the exhibition at the Guggenheim Collection in Venice devoted to a 20th-century avant garde master on one of his favorite subjects: the dance. Between 1910 and 1915 Gino Severini was a central figure of Italian Futurism, the movement that celebrated the modern by giving expression to contemporary theories about sensory perception of the new urban and industrial environments. As a resident of Paris, Severini served as an intermediary between Futurists in Italy and the Parisian avant-garde, especially his friends among the Cubist painters. Above all other art movements, the dance excited Severini's imagination as a painter during his Futurist period. The dancing figure was for him the icon of modernity, a metaphor of dynamism, and the door of perception through which he invited viewers to enter a world built on rhythm observed with intense involvement.The volume charts a pictorial journey to the limits of abstract art: fifty paintings