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Louise Bourgeois - Structures of Existence: The Cells

LOUISE BOURGEOIS (1911-2010)
This book includes in-depth examinations of a selection of Louise Bourgeois’ "Cells" while also studying the innovative series in its entirety. Like the majority of Louise Bourgeois’s oeuvre, her "Cells" series is both enigmatic and personal. Preoccupy her attention for nearly 20 years, these complex and sophisticated works are daring and provocative. Many are small enclosures into which the viewer is prompted to peer at arrangements of various objects; others are small rooms into which the viewer is invited to enter. In her "Cells", Bourgeois uses sculptural forms, found objects, and personal items that were significant to her. Six "Cells" from the series are given close attention, revealing the enormous diversity of Bourgeois’s artistic engagement as well as recurring themes of physical and emotional pain, voyeurism, integration, and disintegration. A designated section displays the entire "Cells" series with extensive color reproductions including several details in chronological order. Together with an essay on the evolution of the "Cells" and an interview with the artist’s former assistant, Jerry Gorovoy, this volume offers a holistic appreciation of a crucial phase in Bourgeois’s highly influential career.
Pris ved 1Stk 425,00 DKK

Emne Skulptur
Kunstner Louise Bourgeois
Forfatter Julienne Lorz, Lynne Cooke, Kate Fowle, Jerry Gorovoy
Sprog Engelsk
Illustrationer Rigt illustreret
Format / Sideantal 21,5 x 27 cm. / 288 s.
Udgivelsesår 2017
Indbinding Paperback
Forlag Prestel
Antikvarisk
Antal
Køb
ISBN 9783791365701
Lev. 3-5 dage
LOUISE BOURGEOIS (1911-2010)
This book includes in-depth examinations of a selection of Louise Bourgeois’ "Cells" while also studying the innovative series in its entirety. Like the majority of Louise Bourgeois’s oeuvre, her "Cells" series is both enigmatic and personal. Preoccupy her attention for nearly 20 years, these complex and sophisticated works are daring and provocative. Many are small enclosures into which the viewer is prompted to peer at arrangements of various objects; others are small rooms into which the viewer is invited to enter. In her "Cells", Bourgeois uses sculptural forms, found objects, and personal items that were significant to her. Six "Cells" from the series are given close attention, revealing the enormous diversity of Bourgeois’s artistic engagement as well as recurring themes of physical and emotional pain, voyeurism, integration, and disintegration. A designated section displays the entire "Cells" series with extensive color reproductions including several details in chronological order. Together with an essay on the evolution of the "Cells" and an interview with the artist’s former assistant, Jerry Gorovoy, this volume offers a holistic appreciation of a crucial phase in Bourgeois’s highly influential career.