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Nitsch - Spaces of Color

Nitsch - Spaces of Color

HERMANN NITSCH (1938-)

Hermann Nitsch produced his first “poured” paintings around 1960. In this form of action painting, the artist is primarily concerned with the substance of the paint, which he investigates from one Painting Action to the next. This catalog illustrates the development of his painterly works from the early 1960s to the present day.

The main focus of the content lies in the characteristics of the various work cycles. In addition to the first “splatter” paintings it shows floor “splatter” paintings from the Red Cycle (1995), works from the Six-Day Play (1989) or the yellow Resurrection Cycle (2002). While one colour dominates in the monochrome works, in others a real explosion of colours takes place. The paint is splattered or sprayed; it may be applied in liquid form or impasto. The artist may use a paintbrush or smear the paint with his hands. The focal point is the exploration of the state of the paint, which varies between liquid and solid.

Pris ved	1	Stk		458,00 DKK

Emne	Nutidskunst
Kunstner	Hermann Nitsch
Forfatter	Elsy Lahner, Klaus Albrecht Schröder
Sprog	Engelsk
Illustrationer	150 farveill.
Format / Sideantal	24,5 x 28,5 cm. / 230 cm.
Udgivelsesår	2019
Indbinding	Indbundet
Forlag	Hirmer
Antikvarisk

Antal

Køb

ISBN	978-3-7774-3256-4
Lev.	3-5 dage

HERMANN NITSCH (1938-)

Hermann Nitsch produced his first “poured” paintings around 1960. In this form of action painting, the artist is primarily concerned with the substance of the paint, which he investigates from one Painting Action to the next. This catalog illustrates the development of his painterly works from the early 1960s to the present day.

The main focus of the content lies in the characteristics of the various work cycles. In addition to the first “splatter” paintings it shows floor “splatter” paintings from the Red Cycle (1995), works from the Six-Day Play (1989) or the yellow Resurrection Cycle (2002). While one colour dominates in the monochrome works, in others a real explosion of colours takes place. The paint is splattered or sprayed; it may be applied in liquid form or impasto. The artist may use a paintbrush or smear the paint with his hands. The focal point is the exploration of the state of the paint, which varies between liquid and solid.