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THE NEW AMERICAN ABSTRACTION 1950 - 1970 - BIND 1 - 3

 

The New American Abstraction 1950-1970

The title of this 3-volume edition work takes its inspiration from Towards a New
Abstraction, the catalogue of an exhibition organised by Ben Heller in 1963 at the
Jewish Museum in New York, which brought together artists such as Frank Stella,
Paul Brach, Kenneth Noland and Raymond Parker.
The theme unites the artists of this “New Abstraction” through their spirit, as
opposed to the “spirit of the times” reflected in other movements such as
Minimalism and Pop Art. “New Abstraction” is not to be taken as a movement
(some evidence clearly shows the importance of Abstract Expressionism for some)
but as a meeting of attempts in structure that created attraction rather than
grouping. There is no single Zeitgeist; apart from its somewhat complex origins,
“New Abstraction” was intersected at the time with other impulses and currents,
in particular with Neo-Dadaism, the outset of Minimalism and process art.

Claudine Humblet is an art historian and author of a thesis concerning  the influence of Constructivism and “De Stijl” on the development of Bauhaus. She is a member of the international association of art critics.

Pris ved 1 2.999,00 DKK

Emne Nutidskunst
Kunstner Diverse
Forfatter Humblet, Claudine
Sprog Engelsk
Illustrationer 2051 ill, heraf 934 i farver
Format / Sideantal 28 x 24 cm / 2096 sider
Udgivelsesår 2007
Indbinding Indbundet + kassette
Forlag Skira
Antikvarisk
Antal
Køb
ISBN 9788861300729
Lev. 3-5 dage

 

The New American Abstraction 1950-1970

The title of this 3-volume edition work takes its inspiration from Towards a New
Abstraction, the catalogue of an exhibition organised by Ben Heller in 1963 at the
Jewish Museum in New York, which brought together artists such as Frank Stella,
Paul Brach, Kenneth Noland and Raymond Parker.
The theme unites the artists of this “New Abstraction” through their spirit, as
opposed to the “spirit of the times” reflected in other movements such as
Minimalism and Pop Art. “New Abstraction” is not to be taken as a movement
(some evidence clearly shows the importance of Abstract Expressionism for some)
but as a meeting of attempts in structure that created attraction rather than
grouping. There is no single Zeitgeist; apart from its somewhat complex origins,
“New Abstraction” was intersected at the time with other impulses and currents,
in particular with Neo-Dadaism, the outset of Minimalism and process art.

Claudine Humblet is an art historian and author of a thesis concerning  the influence of Constructivism and “De Stijl” on the development of Bauhaus. She is a member of the international association of art critics.