THEANYSPACEWHATEVER

THEANYSPACEWHATEVER

During the 1990s a number of artists claimed the exhibition as their medium. Working independently or in various collaborative constellations, they eschewed the individual object in favor of the exhibition environment as a dynamic arena, ever expanding its physical and temporal parameters. For these artists an exhibition can comprise a film, a novel, a shared meal, a social space, a performance or a journey. Their work engages directly with the vicissitudes of everyday life, offering subtle moments of transformation. This catalogue, which accompanies a major exhibition at the Solomon R. Guggenheim Museum, New York, is the first in the U.S. to examine the dynamic interchange among a core group of these artists--Angela Bulloch, Maurizio Cattelan, Liam Gillick, Dominique Gonzalez-Foerster, Douglas Gordon, Carsten Holler, Pierre Huyghe, Jorge Pardo, Philippe Parreno and Rirkrit Tiravanija--a many-sided conversation that helped shape the cultural landscape of the 1990s and beyond.

About the Author
Francesco Bonami is a curator, writer and critic. He is also the director of the Museum of Contemporary Art in Chicago.

Hans-Ulrich Obrist was born in 1968 in Zurich, Switzerland. In 1993, he founded the Museum Robert Walser and began to run the Migrateurs program at the Musee d'Art Moderne de la Ville de Paris where he served as a Curator for contemporary art. He presently serves as the Co-Director of Exhibitions and Programs and Director of International Projects at the Serpentine Gallery, London.

Architect Stefano Boeri was born in Milan in 1956. He has collaborated with such visual artists as Gabriele Basilico.

"Critic and scholar Hal Foster is the author of The Return of the Real, Vision and Visuality, and The Anti-Aesthetic: Essays on Postmodern Culture. He has held numerous editorial positions, including at October, Zone, Art in America, and Artforum, and is presently the Townsend Martin Class of 1917 Professor of Art and Archaeology at Princeton University."