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Gabriele Münter - The Years of Expressionism 1903-1920

GABRIELE MÜNTER (1877-1962)

The work of Gabriele Munter shines like a jewel in the male-dominated avant-garde Expressionist movement. Most accounts of the frenetically creative years in Munich and Murnau fail to recognize the uniqueness of Munter's vision: her work is unjustly eclipsed by that of her colleagues, not least Vassily Kandinsky's. This book redresses the balance. Some one hundred of the artist's most seminal works are reproduced in this lavishly illustrated volume; they include several from private collections that have never before been published. "Gabriele Munter: The Years of Expressionism, 1903-1920" is an exploration of Munter's crucial contribution to German Expressionism in the genres of landscape, portrait and still-life painting. Her place and significance in the development of this movement are critically examined, with particular attention paid to the iconography of her paintings and the lyrical strength of her work.
Pris ved 1Stk 685,00 DKK

Emne Ekspressionisme
Kunstner Gabriele Münter
Forfatter Reinhold Heller
Sprog Engelsk
Illustrationer 123 ill. - 69 i farver
Format / Sideantal 24,5 x 29,5 cm. / 184 s.
Udgivelsesår 1998
Indbinding Indbundet
Forlag Prestel
Antikvarisk
Antal
Køb
ISBN 978-3791318660
Lev. 3 dage
GABRIELE MÜNTER (1877-1962)

The work of Gabriele Munter shines like a jewel in the male-dominated avant-garde Expressionist movement. Most accounts of the frenetically creative years in Munich and Murnau fail to recognize the uniqueness of Munter's vision: her work is unjustly eclipsed by that of her colleagues, not least Vassily Kandinsky's. This book redresses the balance. Some one hundred of the artist's most seminal works are reproduced in this lavishly illustrated volume; they include several from private collections that have never before been published. "Gabriele Munter: The Years of Expressionism, 1903-1920" is an exploration of Munter's crucial contribution to German Expressionism in the genres of landscape, portrait and still-life painting. Her place and significance in the development of this movement are critically examined, with particular attention paid to the iconography of her paintings and the lyrical strength of her work.